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Learn moreTwelve-year-old Fee is a shy Korean American boy and a newly named section leader of the first sopranos in his local boys’ choir. But when Fee learns how the director treats his section leaders, he is so ashamed he says nothing of the abuse, not even when Peter, his best friend, is in line to be next. When the director is arrested, Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself. In the years that follow he slowly builds a new life, teaching near his hometown. There he meets a young student who is the picture of Peter and is forced to confront the past he believed was gone.
Told with “the force of a dream and the heft of a life,” Edinburgh marked Chee “as a major talent whose career will bear watching” (Publishers Weekly).
Alexander Chee is the author of two novels and the recipient of a Whiting Award and the National Endowment for the Arts fellowship in fiction. His writing has appeared in the New York Times Book Review, Tin House, Slate, and on NPR, among others, and he is a contributing editor at the New Republic. He lives in New York City.
Daniel K. Isaac was born on December 5, 1988 in Fullerton, California. He is an actor and writer, known for Billions, Money Monster, and Too Big to Fail.
Josh Hurley is an actor, improviser, narrator, and writer. His audiobook credits include Saving Lucas Biggs and Where Things Come Back. He has won two AudioFile Earphones Awards and lives in New York.
Reviews
“Haunting…complex…sophisticated. [Chee] says volumes with just a few incendiary words.”
“The best new novelist I’ve read in some time. Edinburgh is moody, dramatic—and pure.”
“[Chee] says volumes with just a few incendiary words.”
“A coming-of-age tale in the grand Romantic tradition, where passions run high, Cupid stalks Psyche, and love shares the dance floor with death…A lovely, nuanced, never predictable portrait of a creative soul in the throes of becoming.”
“Arresting…profound and poetic…Chee’s voice is worth listening to.”
“Few coming-of-age novels truly stir one’s emotions or lead readers to consider the trauma of their own lives. Edinburgh does both.”
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