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Late Migrations by Margaret Renkl
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Late Migrations

A Natural History of Love and Loss

$32.49 USD

Get for $14.99 with membership
Narrator Joyce Bean
Length 5 hours 2 minutes
Language English
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Selected as a TODAY Show #ReadWithJenna book club pick, Late Migrations is an unusual, captivating portrait of a family―and of the cycles of joy and grief that inscribe human lives within the natural world―from beloved New York Times opinion writer Margaret Renkl.

Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents―her exuberant, creative mother; her steady, supportive father―and of the bittersweet moments that accompany a child’s transition to caregiver.

And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds―the natural one and our own―“the shadow side of love is always loss, and grief is only love’s own twin.”

Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut.

Margaret Renkl is a contributing opinion writer for the New York Times, where her essays appear weekly. Her work has also appeared in Guernica, Literary Hub, Proximity, and River Teeth, among others. She serves as editor of Chapter 16, the daily literary publication of Humanities Tennessee, and is a graduate of Auburn University and the University of South Carolina. She lives in Nashville.

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Reviews

"Joyce Bean's narrations are always genuine and down-to-earth, and this performance of Margaret Renkl's short essays on the natural world and her family is no different." —AudioFile Magazine Expand reviews