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The Candy House
“Edgy, futuristic and insightful, The Candy House is another delicious treat from Jennifer Egan! If not for the sheer skill in writing that we have come to enjoy with her books, it would be hard to imagine such a different type of story coming from the same hands. This will be 2022 highlight and will not disappoint her fans! Adding a note on audio - this is so well done! Makes a great audiobook!”Laura,
“Egan weaves together these seemingly disparate characters and storylines into a stunning ending. The Candy House is about family, connection, legacy, technology, and so much more. It is her best work yet.”Ariana Paliobagis,
A NEW YORK TIMES BESTSELLER
ONE of the TOP 10 BOOKS OF THE YEAR by THE NEW YORK TIMES * ENTERTAINMENT WEEKLY * SLATE* THE PHILADELPHIA INQUIRER *
Also named one of the BEST BOOKS OF THE YEAR by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, Self, Vogue, The New Yorker, BBC, Vulture, and many more!
OLIVIA WILDE to direct A24's TV adaptation of THE CANDY HOUSE and A VISIT FROM THE GOON SQUAD!
From one of the most celebrated writers of our time comes an “inventive, effervescent” (Oprah Daily) novel about the memory and quest for authenticity and human connection.
The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes.
In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love.
“A beautiful exploration of loss, memory, and history” (San Francisco Chronicle), “this is minimalist maximalism. It’s as if Egan compressed a big 19th-century novel onto a flash drive” (The New York Times).
Michael Boatman spends his days and nights pretending to be other people. For a living. He’s acted in television shows such as The Good Wife, China Beach, Spin City, ARLI$$, Anger Management, Instant Mom; films such as Hamburger Hill, The Glass Shield, Bad Parents; and Broadway plays. MichaelBoatman.us, Twitter.com/MichaelBoatman