Almost ready!
In order to save audiobooks to your Wish List you must be signed in to your account.
Log in Create accountShop small, give big!
With credit bundles, you choose the number of credits and your recipient picks their audiobooks—all in support of Old Town Books.
Start giftingLimited-time offer
Get two free audiobooks!
Now’s a great time to shop indie. When you start a new one credit per month membership supporting Old Town Books with promo code SWITCH, we’ll give you two bonus audiobook credits at sign-up.
Sign up todayAll's Well
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreBookseller recommendation
“Gloriously bananas, dark and weird, and so, so good. All’s Well is a big, messy, strange journey about chronic pain, Shakespeare, friendship, mental health, witchcraft, and work.”
— Rachel Barry • WORD Bookstores
Bookseller recommendation
“Mona Awad's latest, All's Well, is unhinged. But it's 2021, and after the last year, I think it's safe to say we all feel a little unhinged. I found myself delighted to be in the company of Awad's narrator, a woman with chronic pain who is hell-bent on staging a production of Shakespeare's All's Well with a troupe of mutinous undergrads. Awad has written a novel about pain that is not only funny, but heartbreakingly honest. ”
— Lindsay • Parnassus Books
Bookseller recommendation
“Perfect for the misunderstood theater kids and those who feel their bodies are working against them, Awad’s All’s Well is a supernatural exploration of what happens after you get everything you’ve ever wanted and the toll it takes on those around you. This novel, while deeply funny and evocatively dreamlike, plays on the reader’s heartstrings as we watch Miranda Finch blossom into the woman we all want to be. ”
— Lambie • Underground Books
From the author of Bunny, which Margaret Atwood hails as “genius,” comes a “wild, and exhilarating” (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost?
Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible doubted pain that’s kept her from the spotlight is made known.
With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is a “fabulous novel” (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
Mona Awad is the author of the novels All’s Well, Bunny, and 13 Ways of Looking at a Fat Girl. Bunny was a finalist for a Goodreads Choice Award and the New England Book Award. It was named a Best Book of 2019 by Time, Vogue, and the New York Public Library. It is currently being developed for film with Bad Robot Productions. All’s Well was a finalist for a Goodreads Choice Award. 13 Ways of Looking at a Fat Girl was shortlisted for the Giller Prize. Awad’s forthcoming novel Rouge, is being adapted for film by Fremantle and Sinestra. This spring, Margaret Atwood named Awad her “literary heir” in The New York Times’s T Magazine. She teaches fiction in the creative writing program at Syracuse University and is based in Boston.