Alien Clay

Reviews

Praise for The Final Architecture:

“Enthralling, epic, immersive, and hugely intelligent.” —Stephen Baxter

“Adrian Tchaikovsky: king of the spiders, master worldbuilder, and asker of intriguing questions. His books are packed with thought-provoking ideas (as well as lots of spiders; did I mention the spiders?). One of the most interesting and accomplished writers in speculative fiction.” —Christopher Paolini

“Adrian Tchaikovsky’s Shards of Earth is one of the most stunning space operas I’ve read this year....Tchaikovsky’s world building is on glorious display as he throws all manner of spaceships, creepy aliens and strange technology into a delicious sci-fi soup. It’s dense, it’s funny, it’s exciting, it’s touching and it’s perfect for someone looking for a space opera built on a grand scale.” —BookPage (starred review)

“Dazzlingly suspenseful...Tchaikovsky’s intricately constructed world is vast yet sturdy enough to cradle inventive science, unique aliens, and complex political machinations. With a mix of lively fight scenes, friendly banter, and high-stakes intrigue, this is space opera at its best.” —Publishers Weekly (starred review)

“Tchaikovsky writes space opera on a grand scale, creating a massive, complex, vividly realized future environment...He guides the reader through this endlessly intriguing universe with a rock-steady sure hand. Fans of space opera should leave the book in breathless anticipation of the second installment in the trilogy.” —Booklist

—-- Ben Allen performs a thought-provoking science fiction story about a political dissident who is trying to survive on an alien planet that serves as a tyrannical empire's prison. Anton arrives on the planet nicknamed Kiln to discover humanity was not the first sentient lifeform to visit. Kiln's ecosystem is chaotic, hungry, and hiding several enticing secrets. Anton not only must survive the prison camp but also the bizarre alien world. Allen's clipped intonation complements the third-person prose wonderfully. The artful use of an intense tone to heighten drama results in a captivating performance. Allen maintains an understated but noticeable difference between dialogue and narrative while highlighting the moments of dark humor. He makes the immersive and imaginative story one to get lost in. J.M.M. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine [Published: SEPTEMBER 2024]—AudioFile Earphones Award Winner Expand reviews