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Sign up todayThe Fire Next Time
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Learn moreNATIONAL BESTSELLER - The book that galvanized the nation, gave voice to the emerging civil rights movement in the 1960s—and still lights the way to understanding race in America today. - “The finest essay I’ve ever read.” —Ta-Nehisi CoatesAt once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle … all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of literature.
James Baldwin (1924–1987), acclaimed New York Times bestselling author, was educated in New York. His first novel, Go Tell It on the Mountain, received excellent reviews and was immediately recognized as establishing a profound and permanent new voice in American letters. The appearance of The Fire Next Time in 1963, just as the civil rights movement was exploding across the American South, galvanized the nation and continues to reverberate as perhaps the most prophetic and defining statement ever written of the continuing costs of Americans’ refusal to face their own history. It became a national bestseller, and Baldwin was featured on the cover of Time. The next year, he was made a member of the National Institute of Arts and Letters and collaborated with the photographer Richard Avedon on Nothing Personal, a series of portraits of America intended as a eulogy for the slain Medger Evers. His other collaborations include A Rap on Race with Margaret Mead and A Dialogue with the poet–activist Nikki Giovanni. He also adapted Alex Haley’s The Autobiography of Malcolm X into One Day When I Was Lost. He was made a commander of the French Legion of Honor a year before his death, one honor among many he achieved in his life.
Jesse Martin is a narrator and an accomplished actor and singer on the stage and screen. He has spent nine seasons as Detective Edward Green on the perennial hit Law & Order. In the theater, he originated the role of Thomas B. “Tom” Collins in Jonathan Larson’s award-winning musical Rent. He also reprised his role in the film adaptation. He is an alumnus of New York University and a classically trained stage actor.
Reviews
“Basically the finest essay I’ve ever read…Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you.”
“Actor Jesse L. Martin effectively re-creates the tone and tenor of the author’s view of America at the beginning of the 1960s. Martin chooses to eschew accents and flowery modulations and sticks to the story…Most striking is Baldwin’s reference to Robert Kennedy’s prediction that a black man would become the nation’s president sometime in the next forty years.”
“So eloquent in its passion and so scorching in its candor that it is bound to unsettle any reader.”
“The Fire Next Time is ultimately a hopeful and healing essay…Baldwin clearly paid in sweat and shame for every word in this text. What’s incredible is that he managed to keep his cool.”
“Part memoir of a Harlem childhood and part examination of racial injustice. James Baldwin gave voice to the growing Civil Rights Movement…This book will increase your awareness, empathy, and conviction that something drastic must be done.”
“For such a famous book, it may surprise some to realize that The Fire Next Time contains only two essays…The first essay is a letter to Baldwin’s 14-year-old nephew, and it explores how race has shaped America’s ugly, brutal history. The second is an examination of the interplay between race and religion, particularly the black Christian church and the fast-spreading Islamic movement at the time.”
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