By Lisa Jewell
Narrated by Tamaryn Payne, Bea Holland & Dominic Thorburn / 9 hours 36 minutes
“This intriguing story combines classic mystery elements with touches of domestic suspense and all around creepiness. The audiobook uses three different narrators, which provides for a further immersive experience. The three different perspectives are intertwined in a unique way allowing us to watch as three different lives hurtle toward their intersection. Libby and Lucy’s experience in the present are shared through third person narration while Henry’s first person narrating provides his account of the past with an occasional interjection of his perspective of the events unfolding in the present. With a string of bread crumbs along the way, the climax is somewhat inevitable, but some assumptions you will probably make along the way are smashed as the final unexpected twists are revealed.”Cori, Bright Side Bookshop
A GOOD MORNING AMERICA COVER TO COVER BOOK CLUB PICK
“Rich, dark, and intricately twisted, this enthralling whodunit mixes family saga with domestic noir to brilliantly chilling effect.” —Ruth Ware, New York Times bestselling author
“A haunting, atmospheric, stay-up-way-too-late read.” —Megan Miranda, New York Times bestselling author
From the New York Times bestselling author of Then She Was Gone comes another page-turning look inside one family’s past as buried secrets threaten to come to light.
Be careful who you let in.
Soon after her twenty-fifth birthday, Libby Jones returns home from work to find the letter she’s been waiting for her entire life. She rips it open with one driving thought: I am finally going to know who I am.
She soon learns not only the identity of her birth parents, but also that she is the sole inheritor of their abandoned mansion on the banks of the Thames in London’s fashionable Chelsea neighborhood, worth millions. Everything in Libby’s life is about to change. But what she can’t possibly know is that others have been waiting for this day as well—and she is on a collision course to meet them.
Twenty-five years ago, police were called to 16 Cheyne Walk with reports of a baby crying. When they arrived, they found a healthy ten-month-old happily cooing in her crib in the bedroom. Downstairs in the kitchen lay three dead bodies, all dressed in black, next to a hastily scrawled note. And the four other children reported to live at Cheyne Walk were gone.
In The Family Upstairs, the master of “bone-chilling suspense” (People) brings us the can’t-look-away story of three entangled families living in a house with the darkest of secrets.
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