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“Scrappy Little Nobody is less outsider-looking-in as it is insider-looking-out. Kendrick's anecdotes, experiences, and her initiation as a working youth breaking into Hollywood reflect her social awkwardness and self-deprecation as the product of a blue-collar family and a dogged work ethic. Humble and hilarious, Kendrick's lack of the knack for celebrity life allows for an unapologetic 'so-it-goes,' bluntness that makes her book relatable and heartwarmingly familiar. Never too funny to not be serious and never too serious to not be personable, Scrappy Little Nobody is filled with genuine thoughtfulness, a life's worth of intelligence, and Kendrick's impossible charm.”
Nolan Fellows, Rediscovered Books
The New York Times bestselling collection of humorous autobiographical essays by the Academy Award nominated actress and star of Up in the Air and Pitch Perfect.
Even before she made a name for herself on the silver screen starring in films like Pitch Perfect, Up in the Air, Twilight, and Into the Woods, Anna Kendrick was unusually small, weird, and “10 percent defiant.”
At the ripe age of thirteen, she had already resolved to “keep the crazy inside my head where it belonged. Forever. But here’s the thing about crazy: It. Wants. Out.” In Scrappy Little Nobody, she invites readers inside her brain, sharing extraordinary and charmingly ordinary stories with candor and winningly wry observations.
With her razor-sharp wit, Anna recounts the absurdities she’s experienced on her way to and from the heart of pop culture as only she can—from her unusual path to the performing arts (Vanilla Ice and baggy neon pants may have played a role) to her double life as a middle-school student who also starred on Broadway to her initial “dating experiments” (including only liking boys who didn’t like her back) to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual “man-child.”
Enter Anna’s world and follow her rise from “scrappy little nobody” to somebody who dazzles on the stage, the screen, and now the page—with an electric, singular voice, at once familiar and surprising, sharp and sweet, funny and serious (well, not that serious).
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