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The culture wars are over and the idiots have won. This is a veteran journalist's caustically funny, righteously angry lament about the glorification of ignorance in the United States.
The three Great Premises of Idiot America:
– Any theory is valid if it sells books, soaks up ratings, or otherwise moves units. – Anything can be true if someone says it loudly enough. – Fact is that which enough people believe. Truth is determined by how fervently they believe it.
Charles Pierce has led a career-long quest to separate the smart from the pap, and now it's time to try and salvage the Land of the Enlightened, buried somewhere in this new Home of the Uninformed. With his razor-sharp wit and erudite reasoning, Pierce delivers a gut-wrenching, side-splitting lament about the glorification of ignorance in the United States and how a country founded on intellectual curiosity has deteriorated into a nation of simpletons more apt to vote for an American Idol contestant than a presidential candidate.
With Idiot America, Pierce's thunderous denunciation is also a secret call to action, as he hopes that, somehow, being intelligent will stop being a stigma and that pinheads will once again be pitied, not celebrated.
Charles P. Pierce is a staff writer for the Boston Globe Magazine, a contributing writer for Esquire, and a frequent contributor to American Prospect and Slate. His work has also appeared in the New York Times Magazine, Los Angeles Times Magazine, Nation, Atlantic, and Chicago Tribune, among other publications, and he is a regular on NPR’s Wait, Wait, Don’t Tell Me and Only a Game.
Bronson Pinchot, Audible’s Narrator of the Year for 2010, has won Publishers Weekly Listen-Up Awards, AudioFile Earphones Awards, Audible’s Book of the Year Award, and Audie Awards for several audiobooks, including Matterhorn, Wise Blood, Occupied City, and The Learners. A magna cum laude graduate of Yale, he is an Emmy- and People’s Choice-nominated veteran of movies, television, and Broadway and West End shows. His performance of Malvolio in Twelfth Night was named the highlight of the entire two-year Kennedy Center Shakespeare Festival by the Washington Post. He attended the acting programs at Shakespeare & Company and Circle-in-the-Square, logged in well over 200 episodes of television, starred or costarred in a bouquet of films, plays, musicals, and Shakespeare on Broadway and in London, and developed a passion for Greek revival architecture.
Reviews
“Pierce penetrates, and the world feels less idiotic already.”
“A raucous rant against the armies of the Right…Pierce is at his scathing, insightful best.”
“A lively and, dare I say, intelligent study of the ongoing assault on gray matter.”
“[A] witty and pointed indictment of our nation’s disturbing ability to vilify smart people and elevate chowderheads to positions of power and influence.”
“There is only one Charles Pierce, and while that may be a good thing, it is also a damn good thing we have his unique combination of gonzo, erudition, fearlessness, and eloquence to help us make sense of a senseless world. I stand in awe, and appreciation.”
“There’s a guy down at the end of the bar who’s furiously angry, hilariously funny, and has an Irish poet’s talent for language. He’s been traveling the country, and he’s been alternately appalled and moved by what he’s found there, and, lucky you, he wants to tell you all about it. Listen.”
“Charles Pierce takes us on a brilliant and hilarious tour of the back roads of American idiotocracy through history—skewering Atlantis-seekers, evolution deniers, jackasses, nincompoops, and right-wing know-it-alls with his trademark sledgehammer wit. Reading Pierce’s Idiot America, I laughed myself stupid.”
“Engaging…Pierce delivers a rapier-sharp rant on how the America of Franklin and Edison, Fulton and Ford has devolved into America the Uninformed.”
“For a good (if painful) laugh about creationism and other bits of American lunacy, try Charles Pierce’s Idiot America. It’s a funny, sly version of an argument made recently by Al Gore in The Assault on Reason, and by the brilliant Susan Jacoby in The Age of American Unreason.”
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