“This searing debut is loosely based on the case of three young women who spent years in captivity in a Cleveland basement in the early 2000s. Ferrell moves the action to New York City, but keeps the horror and grief intact. Told in fragmented bursts by multiple voices, the rage and terror of the victims is laid bare, daring the reader to look away. While fragile redemption is achieved, it is weak tea in the face of the abuses endured. A formidable first novel from a powerful, singular voice.”
Grace, Mac's Back-Books
Introducing an extraordinary and original writer whose first novel explores the intersections of grief and rage, personal strength and healing—and what we owe one another.
Fern seeks refuge from her mother’s pill-popping and boyfriends via Soul Train; Gwen finds salvation in the music of Prince much to her congregation’s dismay and Jessenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matter to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens.
On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly, but how could anyone who fancies herself a “newspaperwoman” have missed a horror story unfolding right across the street? And why is it that only two of the three girls—now women—were found? The mystery haunts the two remaining “victim girls” who are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past.
Like Emma Donoghue’s Room, Carolyn Ferrell’s Dear Miss Metropolitan gives voice to characters surviving unimaginable tragedy. Inspired by real events, the story is inventively revealed before, during, and after the ordeal in this singular and urgent novel.
A Macmillan Audio production from Henry Holt and Company