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Sign up todayThe End of the End of the Earth
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““How do we find meaning in our actions when the world seems to be coming to an end?” asks Jonathan Franzen in the opening essay of his new collection. It’s no secret that Franzen is a bird lover, and The End is largely concerned with the plight of birds. But even as he convincingly details birds’ worth and wonder, he also writes of the deeply confounding tension between climate change’s looming results and the maddening lack of preservation of specific systems right now. Luckily, the pleasures of reading Franzen’s essays make dipping into this fraught subject feel like a rich necessity, with intelligence, humility, and even optimism winning out.”
— Chorel • Bookshop Santa Cruz
Bookseller recommendation
“Exacting and meticulous, Franzen’s The End of the End of the Earth reports on the state of the environment from Africa to Antarctica and relentlessly questions his role as a privileged Westerner in a world of vast inequality. Above all, he puts everything in the context of climate change. Using birds as his moral compass, Franzen evokes the deep joy they bring when he sees them in the wild and delivers heartbreaking accounts of ruined habitats, wanton slaughter of songbirds, and the devastating toll of industrial fishing on seabirds. No less tragic are the stories of impoverished people who live among these birds, and Franzen continually questions the ethics of worrying about avian suffering in the midst of so much human suffering. Ultimately as hopeful as it is anguished, Franzen’s book takes biodiversity as its guiding principle: there’s no one way to save the world, just as there’s no single set of rules governing how to live in it.”
— Laurie Greer • Politics and Prose Bookstore
This program has been updated with a new epilogue written and read by the author.
A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections
The essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world.
Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one’s prejudices, he writes, literature “invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.” Whatever his subject, Franzen’s essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He’s frank about birds, too (they kill “everything imaginable”), but his reporting and reflections on them—on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica—are both a moving celebration of their beauty and resilience and a call to action to save what we love.
Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.
Jonathan Franzen is the author of five novels, including The Corrections, Freedom, and Crossroads, and five works of nonfiction, including Farther Away and The End of the End of the Earth, all published by Farrar, Straus and Giroux. He lives in Santa Cruz, California.
Robert Petkoff has won multiple AudioFile Earphones awards for his acclaimed narrations. He was named Best Voice of Fiction & Classics for his reading of The Evolution of Bruno Littlemore by Benjamin Hale. His other narration credits include Oath of Office by Michael Palmer, Gangster Squad by Paul Lieberman, and books by David Foster Wallace.Petkoff has appeared on Broadway, Off-Broadway, and in theaters across America and Europe. He has worked in television and film. His theater credits include Lord Evelyn Oakleigh in the Broadway production of Anything Goes, Perchik as part of the Tony-nomianted cast of Fiddler on the Roof, and Hubert Humphrey in the Tony award-winning play All the Way. He has also had numerous roles in television on shows such as Law and Order and Married with Children.