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A Novel
Narrator
Dominic Hoffman
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Length
7 hours 48 minutes
Language
English
Bookseller recommendation
“James, Percival Everett's brilliant retelling of The Adventures of Hucklebery Finn, is a novel that was begging to be recorded. Everett's Jim, Huck's fellow runaway, is literate. He reads, writes, and is bilingual secretly (of course) -speaking 'slave' with his masters and when white folks are near, but with eloquent English (and occasionally, French) otherwise. All the pathos of Twain's novel are here, but the humor and emotion of Dominic Hoffman's narration is a performance not to be missed. ”
— Cheryl • Book House of Stuyvesant Plaza
Bookseller recommendation
“Chances are if you told me to read a contemporary retelling of The Adventures of Huckleberry Finn from the point of view of Jim, I would say, 'oh, that's interesting,' and then never actually pick it up. But when you tell me it was written by Percival Everett, the most brilliant writer hardly anyone had heard of until his 21st (!) novel was a Pulitzer Prize finalist in 2021, I couldn't possibly resist. James did not disappoint. Deeply subversive and wickedly funny (Everett's specialties), this satire of the portrayal of race in 19th century literature (even as told by the 'good' guys) is one of the best things I have read in a very long time. Much like the original, James is fast-paced and funny, but woven throughout are themes of passing, reverse code-switching (the slaves speak perfect English when white people aren't around), the problem with white allies, and - as the premise might suggest - self-determination through telling one's own story. So much headiness has never been so much fun.”
— Rachel • The Book Table
Bookseller recommendation
“This is the story of Huck Finn - from Jim’s point of view. It is Jim’s story, and the eruption of its publication will be understood as the formidable and inescapable completion of Twain’s American trilogy. Not just highly recommended: mandatory. ”
— Meghan • Subterranean Books
Bookseller recommendation
“A young boy and an enslaved man escape and travel the river together on a raft. Sound familiar? This book lovingly reimagines Mark Twain’s Huckleberry Finn from the view of Jim, who in this version becomes James, as he and Huck get a second chance at life. Thought provoking, full of adventure, and thoroughly original! ”
— Patience • Underground Books
Bookseller recommendation
“James is a gripping retelling of The Adventures of Huckleberry Finn in which Jim is the main character. This time, the story is told by the runaway slave’s point of view, and Percival Everett, far from what Twain presupposed, gives Jim the depth of character that was erased in the first novel. With James, Everett gives a proud voice to one of the few Black characters in classic literature, underlining his complex personality and the painful life of a runaway slave in the southern states of America. It’s horrifying but also very funny, because Everett uses the themes of the adventures and coming of age novel (many characters, twists, tension, and comical situations and banter) but also adds a moving account of an escaped slave’s situation, his view on the world, and his love for his family. It was my first novel from Everett and I can’t wait to discover his other works ! ”
— Camille • Nouvelle Librairie Internationale V.O
Bookseller recommendation
“Loved this book and didn't want to leave it. James is a great character, and Percival Everett does an equally great job creating his world - the constant fear and vigilance, the pain, the power of the river and the land. I listened to the audiobook - excellent narrator - and am already looking forward to coming back to.it and reading again. Highly recommend.”
— Kathy • Belmont Books
Bookseller recommendation
“James tells the story from Huckleberry Finn but from Uncle Jim’s perspective. The audio narration is an epic performance that you won’t forget. ”
— Ami • Birch Tree Books
Bookseller recommendation
“This book stands up with the Great American Novels. Whether you’ve read Huckleberry Finn or not, you’ll be engrossed in the world Mark Twain made famous and Percival Everett makes real. Seeing Jim’s story fully realized with agency, intelligence, and nuance is a literary revelation. Everett’s prose is flawless, effortlessly walking the line between dark humor and righteous anger. The dialogue oscillation is brilliantly done to showcase code switching that both saves lives and adds to the repression of those in slavery. Everett guides his audience through philosophical queries of 'great thinkers' overlaid atop a bitterly painful personal experience. Every choice is enacted with intention and vision. Readers from all backgrounds will connect with Jim’s narrative voice and fall in love with Huck in a new, beautifully painful way. You will not regret reading this book, nor will you forget it.”
— Maggie • Quail Ridge Books
Bookseller recommendation
“The best book of the year, the best audiobook of the year. ”
— Mary • Newtonville Books
Bookseller recommendation
“An amazing reverse imagining of Huckleberry Finn, I loved the way Everett uses language to distinguish James from his performative personality of Jim. Language is how James keeps his sense of self and listening to him make the shift I found both drew me in and left me implicated in the dual versions he is forced to maintain. Listening gave an extra depth to an already extraordinary book.”
— Laura • Odyssey Bookstore
Bookseller recommendation
“It is rare to find a book that is a retelling of a known story and wholly original, but Percival Everett is able to do that with James. By shifting the narrator from Huckleberry Finn to James (known previously only as "Jim"), Everett doesn't only refocus the point of view of the events, but he is able to refocus the reader's attention away from the childhood adventure games to a story that is about the dire straights of a runaway enslaved individual...At the core of James is an exploration of how code switching takes its tolls even while allowing for independence in certain situations. Beyond the 'slave talk' that is continually upended throughout the book, every character has some example of how they must code switch (internally or externally) in order to survive - be it deceiving oneself of their own participation with slavery or how fighting a war for a side that is ostensibly against slavery is, at its core, not about freeing enslaved people. Ultimately the question that Everett leaves his readers with is: is universal freedom possible?”
— Jesse • Odyssey Bookshop
Bookseller recommendation
“Let's return to the time of Huckleberry Finn; the time of active slavery; the time of lazy summer days floating away down quiet rivers. Oh, I know, I know... you've heard this story before. Most people have. But this time, we're going to hear the story as told by Jim - enslaved but full of feeling and friendship and love for life. We'll get on the raft and float along, listening to tales, laughing at jokes and trying to avoid trouble, for Jim is 'running' and so is Huck. I loved this retelling. Percival Everett has such a gift for storytelling and what better story could he take on than the adventures of James and Huck. Book clubs will want to include this in their lists for sure, and so will you!”
— Linda • Auntie's Bookstore
AN INSTANT NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR • SHORTLISTED FOR THE BOOKER PRIZE • KIRKUS PRIZE WINNER • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of view
In development as a feature film to be produced by Steven Spielberg • A Best Book of the Year: The New York Times Book Review, LA Times, The New Yorker, The Atlantic, The Economist, TIME, and more.
"Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York Times
When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.
Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a cornerstone of twenty-first century American literature.
PERCIVAL EVERETT is a Distinguished Professor of English at USC. His most recent books include Dr. No (finalist for the NBCC Award for Fiction and winner of the PEN/ Jean Stein Book Award), The Trees (finalist for the Booker Prize and the PEN/Faulkner Award for Fiction), Telephone (finalist for the Pulitzer Prize), So Much Blue, Erasure, and I Am Not Sidney Poitier. He has received the NBCC Ivan Sandrof Life Achievement Award and The Windham Campbell Prize from Yale University. American Fiction, the feature film based on his novel Erasure, was released in 2023 and was awarded the Academy Award for Best Adapted Screenplay. He lives in Los Angeles with his wife, the writer Danzy Senna, and their children
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Reviews
A NEW YORK TIMES BESTSELLER | WINNER OF THE NATIONAL BOOK AWARD AND THE KIRKUS PRIZE FOR FICTION | BARNES & NOBLE'S 2024 BOOK OF THE YEARNAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, THE NEW YORKER, NPR, THE NEW YORK TIMES BOOK REVIEW, THE ECONOMIST, THE CHICAGO TRIBUNE, AND VANITY FAIR, AMONG OTHERS...
“The cult favorite author’s electric new work. . . James completely reimagines one-half of Finn’s famous duo, elevating him from unwitting sidekick to reluctant hero. . . Everett brings that laser-sharp wit to James, creating a radical new American adventure.”
—W Magazine
“James offers page-turning excitement but also off-kilter philosophical picaresque. . . Gripping, painful, funny, horrifying, this is multi-level entertainment, a consummate performance to the last."
—The Guardian
“Blasted clean of Twain’s characterization, Jim emerges here as a man of great dignity, altruism, and intelligence. . . Clever, soulful, and full of righteous rage, [Jim’s] long-silenced voice resounds through this remarkable novel. Subversive and thrilling, James is destined to become a modern classic.”
—Esquire
“[A] careful and thought-provoking auditing of Huckleberry Finn. . . [James is] a kind of commentary or midrash, broadening our understanding of an endangered classic by bringing out the tragedy behind the comic facade. And that is no small thing. I expect that James will be spoken of as a repudiation of Huckleberry Finn, but a book like this can only be written in a spirit of engaged devotion. More than a correction, it’s a rescue mission. And maybe this time it will work.”
—The Wall Street Journal
“Heir to Mark Twain’s satirical vision, Everett turns a boyhood memoir into a neo-fugitive slave narrative thriller. . . Using erasure, Everett has produced a daring emendation. Redacting swaths of Huck Finn, he’s revealed another code: the untranslated story of James’s self-emancipation. . . James is a provocative, enlightening work of literary art.”
—The Boston Globe
“[Everett is a] prolific genius. . . A literary jukebox. . . If anyone is poised to casually (after all, he has bills) write a masterpiece that not only becomes instant canon but also sets a brush fire to the current ones it stands upon, it’s Everett. And that’s exactly what he’s done with James.”
—Elle
"Huck Finn’ Is a Masterpiece. This Retelling Just Might Be, Too."
—The New York Times
“[A] sly response to The Adventures of Huckleberry Finn. . . While The Adventures of Huckleberry Finn lampooned American society through the naiveté of its young narrator, James critiques White racism with the sharp insight of a character who’s felt the lash...What’s most striking, ultimately, is the way James both honors and interrogates Huck Finn, along with the nation that reveres it.”
—The Washington Post
"Percival Everett [is] our current Great American Novelist. . . [JAMES] is a masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own. . . I almost cannot imagine a future where teachers assign The Adventures of Huckleberry Finn without also assigning James alongside it. . . Everett is one of the most, if not the most interesting writers working today.”
—The Chicago Tribune
“To call James a retelling would be an injustice. Everett sends Mark Twain’s classic through the looking glass. What emerges is no longer a children’s book, but a blood-soaked historical novel stripped of all ornament. . . Genius.”
—The Atlantic
"Once you’ve picked up Everett’s James, a retelling of The Adventures of Huckleberry Finn, you’ll know that only Everett could take on the task of allowing Mark Twain’s character Jim to show what was missing from the original story.”
—The Los Angeles Times
“Percival Everett continues his blistering pace of unforgettable fiction with James. . . Everett infuses this well-known story with a refreshingly contemporary jolt of agency, intelligence, and compassion, bringing new life to the character of Jim and the American epic.”
—Chicago Review of Books
“Using nuance and vulnerability to emphasize Jim’s humanity, [Everett leaves a] stamp on the literary landscape as he dismantles the stereotypes of the enslaved humans depicted in Twain’s classic. . . Percival Everett has accomplished more than humanizing a marginalized voice. He has, once again, delivered a seminal work of literary reparation.”
—Atlanta Journal-Constitution
"Everett’s James isn’t out to displace Twain’s book. It’s carrying out a bolder, more ingenuous, and, characteristic of its author, more subversive agenda...Everett endows Jim with greater dimension and nuance than his original creator did. Huckleberry Finn provided Jim with courage, dignity, and virtue. James bestows upon him the greater, if more complicated, privilege of full (if not yet unfettered) humanity."
—The New Republic
“Playful and resonant. . . Everett has plenty of derisive fun here, dissecting and subverting damaging stereotypes. . . For a writer who often plays by few rules, Everett has drawn on what he knows best here – that freedom can be won, one word at a time. Add levity and serious intent and you have a novel that's a class act.”
—Minneapolis Star Tribune
“Audacious. . . Everett [gives] Jim—who, we learn, prefers to be called James—his agency, letting his intelligence and compassion shine through. James is a poignant if often distressing reintroduction to a beloved character who deserved better.”
—Time
"Ingenious"
—People
“Percival Everett with virtuosic wit presents a spin on The Adventures of Huckleberry Finn.”
—Vanity Fair
"More than audacious. With James, Everett has mounted a high-stakes, revisionist raid not just on Twain’s imagination but on ours as a nation. . . [Everett is] a brilliantly sly novelist."
—Garden & Gun
"We may not be meeting Jim for the first time, but we’re introduced to him in a bold new way."
—Atlanta Journal-Constitution
"In an astounding riposte, the much-lauded Everett (Dr. No, 2022) rewrites [Huck Finn] as a liberation narrative, told from Jim (or rather James’) point of view...An absolutely essential read."
—Booklist (Starred Review)
"The audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey...One of the noblest characters in American literature gets a novel worthy of him."
—Kirkus (Starred Review)
“Ingenious … Jim’s wrenching odyssey concludes with remarkable revelations, violent showdowns, and insightful meditations on literature and philosophy. Everett has outdone himself.”
—Publisher’s Weekly (Starred Review)
"James is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country.”
—Ann Patchett
"Percival Everett is a giant of American letters, and James is a canon-shatteringly great book. Unforgiving and compassionate, beautiful and brutal, a tragedy and a farce, this brilliant novel rewrites literary history to let us hear the voices it has long suppressed.”
—Hernan Diaz, author of Trust
“This is a brilliant, accessible, and very necessary companion to Huckleberry Finn.”
—Dave Eggers, author of The Eyes and the Impossible
“James is a masterpiece. I read it late this summer, and I have already recommended it to enough people to put it on the bestseller lists, in the classrooms, libraries, book clubs and hands in which it so rightly belongs.”
—Francine Prose
“Percival Everett is a genre.”
—Kiese Laymon
“Pure brilliance. Funny, wise, gracious; this may be Everett's best book yet.”
—Bonnie Garmus
“Percival Everett is an audacious, beguiling American master, whose wild trajectory has reached astonishing highs in the past decade. Now comes James, which enlists and devours not only Mark Twain’s novel but aspects of Melville, Ellison, and even Kafka to makes an irrevocable intervention into the canon. Everett is simply playing this game at a higher level, and it is the most serious game imaginable.”
—Jonathan Lethem
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