Give audiobooks, support local bookstores!
Libro.fm for Business
Start a membership, get two free audiobooks
The Best Books of the 21st Century, from the New York Times
Give audiobooks, support local bookstores!
Start gifting
Send as gift
Add to Wish List
Almost ready!
In order to save audiobooks to your Wish List you must be signed in to your account.
Log in Create account
Shop small, give big!
With credit bundles, you choose the number of credits and your recipient picks their audiobooks—all in support of local bookstores.
Start gifting
Limited-time offer
Get two free audiobooks!
Now’s a great time to shop indie. When you start a new one credit per month membership supporting local bookstores with promo code SWITCH, we’ll give you two bonus audiobook credits at sign-up.
Sign up todayOlive Kitteridge
Fiction
Narrator
Kimberly Farr
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn more
Length
12 hours 2 minutes
Language
English
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of My Name is Lucy Barton and the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
“Strout animates the ordinary with astonishing force.”—The New Yorker
One of the New York Times’s 100 Best Books of the 21st Century
A BEST BOOK OF THE YEAR: The Washington Post Book World, USA Today, San Francisco Chronicle, Chicago Tribune, Seattle Post-Intelligencer, People, Entertainment Weekly, The Christian Science Monitor, The Plain Dealer, The Atlantic, Rocky Mountain News, Library Journal
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.
The inspiration for the Emmy Award–winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray
Elizabeth Strout is the Pulitzer Prize–winning author of Olive Kitteridge; the #1 New York Times bestseller My Name Is Lucy Barton; The Burgess Boys, a New York Times bestseller; Abide with Me, a national bestseller and Book Sense pick; and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in England. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.
Kimberly Farr has appeared on Broadway, at the New York Shakespeare Festival, the Roundabout Theatre Company, Playwrights Horizons, and The American Place Theatre. She created the role of Eve in Arthur Miller's first and only musical, Up from Paradise, which was directed by the playwright. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea. She has also acted in regional theaters from Los Angeles to New Haven, Connecticut, including the original production of The 1940's Radio Hour at Washington, DC's Arena Stage.
Elizabeth Strout is the Pulitzer Prize–winning author of Olive Kitteridge; the #1 New York Times bestseller My Name Is Lucy Barton; The Burgess Boys, a New York Times bestseller; Abide with Me, a national bestseller and Book Sense pick; and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in England. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.
Kimberly Farr has appeared on Broadway, at the New York Shakespeare Festival, the Roundabout Theatre Company, Playwrights Horizons, and The American Place Theatre. She created the role of Eve in Arthur Miller's first and only musical, Up from Paradise, which was directed by the playwright. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea. She has also acted in regional theaters from Los Angeles to New Haven, Connecticut, including the original production of The 1940's Radio Hour at Washington, DC's Arena Stage.
Featured in these playlists...
Reviews
“Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout’s unforgettable novel in stories.”—O: The Oprah Magazine“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff.”—USA Today
“Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she’s not onstage, we look forward to her return. The book is a page-turner because of her.”—San Francisco Chronicle
“Olive Kitteridge still lingers in memory like a treasured photograph.”—Seattle Post-Intelligencer
“Rarely does a story collection pack such a gutsy emotional punch.”—Entertainment Weekly
“Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.”—The New Yorker Expand reviews