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“A stunning debut novel by an original voice. Twelve characters of Native American descent, interrelated by birth or chance, struggle with the competing forces of cultural history and modern urban existence. Their stories build separately before colliding powerfully in the book’s final pages at The Big Oakland Powwow. I was riveted.”Keltie,
“Heartbreaking and necessary, this book is raw, powerful, and storytelling at its finest. It's a woven tapestry of the urban Indian experience as few outside these communities have seen it. Vignettes follow 12 people through time and space as they make their way to the Big Oakland Powwow. Each person has their own struggles with identity, life, the powwow; with living, loving, addiction, and employment; with heart and soul and happiness and everything else that makes up the complicated human story, but most especially the complex Indian experience in America. This debut novel was longlisted for the National Book Award for Fiction. ”BrocheAroe,
River Dog Book Co.
“There There is the kind of book that grabs you from the start and doesn’t let go, even after you’ve turned the last page. It is a work of fiction, but every word of it feels true. Tommy Orange writes with a palpable anger and pain, telling the history of a cultural trauma handed down through generations in the blood and bones and stories of individual lives. He also writes with incredible heart and humor, infusing his characters with a tangible humanity and moments of joy even as they are headed toward tragedy. There There has claimed a permanent spot in my heart despite having broken it, or maybe because it did. I think this may be the best book I’ve ever read.”Heather Weldon,
PULITZER PRIZE FINALIST NATIONAL BESTSELLER • A wondrous and shattering award-winning novel that follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. A contemporary classic, this “astonishing literary debut” (Margaret Atwood, bestselling author of The Handmaid’s Tale) “places Native American voices front and center before readers’ eyes” (NPR/Fresh Air).
Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle’s death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. They converge and collide on one fateful day at the Big Oakland Powwow and together this chorus of voices tells of the plight of the urban Native American—grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism
A book with “so much jangling energy and brings so much news from a distinct corner of American life that it’s a revelation” (The New York Times). It is fierce, funny, suspenseful, and impossible to put down--full of poetry and rage, exploding onto the page with urgency and force. There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.