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Sign up todayI Keep My Exoskeletons to Myself
A Novel
Narrator
Bailey Carr
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
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Length
8 hours 29 minutes
Language
English
Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an unjust surveillance state
In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.
Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can’t forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope.
With a first-person register reminiscent of the fierce self-disclosure of Sheila Heti and the poetic precision of Ocean Vuong, I Keep My Exoskeletons to Myself is a bold debut novel that examines the long shadow of grief, the hard work of parenting, and the power of queer resistance.
Marisa Crane is a writer, basketball player, and sweatpants enthusiast. Their work has appeared or is forthcoming in Joyland, No Tokens, TriQuarterly, Passages North, Florida Review, Catapult, Lit Hub, The Rumpus, and elsewhere. An attendee of the Tin House Workshop and Bread Loaf Writers’s Conference, they currently live in San Diego with their wife and child. I Keep My Exoskeletons to Myself is their first novel.
Bailey Carr is a New York City–based audiobook narrator. She graduated with a BFA in acting from NYU’s Tisch School of the Arts. Bailey has narrated audiobooks for multiple New York Times bestselling authors.
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Reviews
“Phenomenal.”
"A soft yet fierce narrative of queer resistance and abolitionist feeling.”
“Skillfully probes the complexities of loss, love, and injustice…[and] convincingly leans toward hope…An anthem for queer love and solidarity that rises above the dystopian cacophony.”
“Bailey Carr gently narrates this dystopian audiobook…[and] voices Kris’s grief with realism and depth…Carr’s voice for Kris’s daughter is adorably youthful and strong…These characters will resonate with listeners.”
“Offers a fresh peek at our dystopian future.”
“The novel stands out in its poetic reporting on the everyday experience of living under incessant observation and enforcement.”
“A not-so-cautionary tale about America’s poor treatment of marginalized people and how it would take little for the country to tip over into fascism.’
"The creation of family, criminalization, and queer resistance. Readers will be moved and electrified.”
“On the surface, it’s all explosive force; underneath, it’s introspective and intimate.”
“Vailey Carr narrates this poetic novel, sensitively voicing Kris’s hope and heartbreak, while also capturing the idealism and vivacity of her daughter.”
“Crane’s blend of grief, humor, and imagination is fearless.”
“A masterpiece: mordantly funny, brilliantly queer, large-hearted.”
“Kris is an unforgettable guide through the novel’s speculative world, at once hilarious and heart-sick.”
“As innovative as it is boldly honest…Offers us a speculative world that refracts, mirrors, and expands our own.”
“Crane’s sharp and funny dystopian novel explores how easy it is to become our worst selves and how hard it is to recover from life-changing mistakes.”
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