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Maps of Our Spectacular Bodies by Maddie Mortimer
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Maps of Our Spectacular Bodies

$28.34

Get for $14.99 with membership
Length 12 hours 20 minutes
Language English
Narrators Tamsin Greig & Lydia Wilson

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Named a Best Book of 2022 by Time, The New Yorker, and The Wall Street Journal

Longlisted for the Booker Prize · Winner of the Desmond Elliott Prize · Shortlisted for the Goldsmiths Prize · Longlisted for the Dylan Thomas Prize · Shortlisted for the Sunday Times Prize

This lyrical debut novel is at once a passionate coming-of-age story, a meditation on illness and death, and a kaleidoscopic journey through one woman’s life—told in part by the malevolent voice of her disease.

Lia, her husband Harry, and their beloved daughter, Iris, are a precisely balanced family of three. With Iris struggling to navigate the social tightrope of early adolescence, their tender home is a much-needed refuge. But when a sudden diagnosis threatens to derail each of their lives, the secrets of Lia’s past come rushing into the present, and the world around them begins to transform.

Deftly guided through time, we discover the people who shaped Lia’s youth; from her deeply religious mother to her troubled first love. In turn, each will take their place in the shifting landscape of Lia’s body; at the center of which dances a gleeful narrator, learning her life from the inside, growing more emboldened by the day.

Pivoting between the domestic and the epic, the comic and the heart-breaking, this astonishing novel unearths the darkness and levity of one woman’s life to symphonic effect.

Maddie Mortimer was born in 1996. She received her BA in English literature from the University of Bristol. She lives in London, where she works as a screenwriter and an author. Maps of Our Spectacular Bodies is her first novel.

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Reviews

"Lydia Wilson and Tamsin Greig deliver complementary performances to tell the story of Lia, a British woman whose cancer has just come out of remission. Wilson narrates the sections of the novel from Lia’s perspective, jumping back and forth from Lia’s adolescence when she was growing up the daughter of a minister to the present when she is battling her cancer once again. Between Lia’s sections, Greig performs interludes from the perspective of Lia’s cancer, perfectly capturing the disease’s wry narrative voice as it remarks on the changes in Lia’s body. Wilson and Geig’s two performances work in harmony, giving listeners an emotionally intimate listening experience." Expand reviews
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