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Learn moreLiv Winsome, working mother of three sons, wife to decent if distracted Duncan, is overwhelmed. And losing her hair. Her doctor has told her she needs to slow down, do less. Focus on what's important.
After Jai, one of her fourteen-year-old twins, is involved in a sexting scandal, Liv realises things need to change, and fast. Inspired by the pop-psychology books she devours, she writes a nine-page list of everything she does to keep the family afloat, and she delegates. She lets her boys' conservative school know it has some work to do, too - partly, Liv suspects, because its leadership has a 'woman problem' (or, rather, a too-many-men problem).
Jai's girlfriend, Grace, is at the heart of the sexting scandal and her mum, Jess Charters, up in arms as well, goes to the media. The women's combined efforts force Carmichael Grammar to take action. They appoint a savvy psychologist-author to address the cultural issues at the school, leading to a raft of small but targeted changes to Carmichael's teaching, classes and environment. To everyone's surprise, and Liv's delight, things actually start to improve.
Inspired by his wife's success, Duncan rethinks the way he lives and works too, despite the workaholic culture of his law firm and its scary managing partner, who's also his older brother. In unexpected ways, Liv and Duncan's marriage and family life undergo their own transformations. Some new developments, though, aren't entirely welcome.
Light-hearted and optimistic, Tipping is a novel for our times. It's a story of domestic activism. Mum and dad activism. Because real change is possible. Sometimes all it takes is a tweak. And the will. And a bit of fun.
Anna George (Author)
Anna George has worked in the legal world as well as the film and television industries. Her first novel, What Came Before, was shortlisted for the 2015 Ned Kelly and Sisters in Crime Best Debut Fiction awards, and was longlisted for the 2016 International Dublin Literary Award. She lives in Melbourne with her husband and two children.
Catherine Van Davies (Reader)
Catherine Van Davies graduated from QUT with a BFA (Acting) in 2006 and trained at HB Studio, New York in 2010. She is a versatile actor and voice artist, her screen credits include Amazing Grace (Nine), Hungry Ghosts (SBS), The Letdown (ABC), Fighting Season (Goalpost) and Pet Killer (Black Pills).
Catherine's theatre credits include Playing Beatie Bow (STC), No Pay? No Way!, White Pearl (STC with National Theatre of Parramatta), Going Down (STC with Malthouse), Titus Andronicus, The Misanthrope, Merchant of Venice (Bell Shakespeare), An Enemy Of The People, Back at the Dojo, The Kiss (Belvoir), Turquoise Elephant (Griffin), Angels in America (Apocalypse Theatre Company), The Happy Prince, Dracula and Dangerous Liaisons (Little Ones Theatre).
Catherine was the recipient of the 2020 Sydney Theatre Award for Best Supporting Actor in an Independent Production (Angels in America) and the 2020 Sydney Theatre Award for Best Ensemble (White Pearl).
Catherine has worked regularly with Playwriting Australia's Lotus (with Contemporary Asian Australian Performance) & Outreach programs fostering new Australian voices and is the Co-Artistic Director of Red Line Productions based in the Old Fitzroy Theatre.
Anita Hegh (Reader)
Anita Hegh is a multi-award-winning performer whose credits include national and international theatre, film and television roles. A graduate of NIDA, Anita has worked extensively within the theatre industry, including The Resistible Rise of Arturo Ui (Sydney Theatre Company), which saw her receive the 2018 Helpmann award for Best Female Actor in a Supporting Role. Anita's screen work includes film roles in The Last Ride (2009) opposite Hugo Weaving, Stuffed (2014), and Paradise Road (1997) directed by Bruce Beresford. Her recent television credits include Black Comedy, Home and Away, and Janet King. Anita has also built up a wealth of experience in the Australian voiceover industry, with a polished, relatable voice full of emotion.
Aaron Tsindos (Reader)
Aaron Tsindos is a WAAPA graduate, an accomplished actor, writer, singer, comic and voice over artist specialising in truthful performances for commercial, narration, character in comedic and dramatic work across multiple projects throughout Australia
His TV and Film credits include Total Control and Growing Up Gracefully (ABC), Mary: The Making of a Princess (Fremantle Media), Spin Out (Feature - Sony Pictures), No Appointment Necessary (Feature) and Crossing Paths (Feature).
Aaron's theatre credits include No Pay? No Way!, Muriels Wedding, Rosancrantz and Guildenstern are Dead, The White Guard and Cyrano
De Bergerac for Sydney Theatre Company; Shakespeare in Love for Melbourne Theatre Company; Spamalot, Meet Me in St Louis, Big Fish and The Goodbye Girl at the Hayes; The Overcoat at Belvoir; Man with Five Children for Darlinghurst Theatre Company; Shakespearealism, The Importance of Being Earnest and Love's Labours Lost (Sport for Jove); The History Boys (Sydney Opera House), Stephen Sondheim's Assassins (forty five downstairs) and many more.
Anna George (Author)
Anna George has worked in the legal world as well as the film and television industries. Her first novel, What Came Before, was shortlisted for the 2015 Ned Kelly and Sisters in Crime Best Debut Fiction awards, and was longlisted for the 2016 International Dublin Literary Award. She lives in Melbourne with her husband and two children.
Catherine Van Davies (Reader)
Catherine Van Davies graduated from QUT with a BFA (Acting) in 2006 and trained at HB Studio, New York in 2010. She is a versatile actor and voice artist, her screen credits include Amazing Grace (Nine), Hungry Ghosts (SBS), The Letdown (ABC), Fighting Season (Goalpost) and Pet Killer (Black Pills).
Catherine's theatre credits include Playing Beatie Bow (STC), No Pay? No Way!, White Pearl (STC with National Theatre of Parramatta), Going Down (STC with Malthouse), Titus Andronicus, The Misanthrope, Merchant of Venice (Bell Shakespeare), An Enemy Of The People, Back at the Dojo, The Kiss (Belvoir), Turquoise Elephant (Griffin), Angels in America (Apocalypse Theatre Company), The Happy Prince, Dracula and Dangerous Liaisons (Little Ones Theatre).
Catherine was the recipient of the 2020 Sydney Theatre Award for Best Supporting Actor in an Independent Production (Angels in America) and the 2020 Sydney Theatre Award for Best Ensemble (White Pearl).
Catherine has worked regularly with Playwriting Australia's Lotus (with Contemporary Asian Australian Performance) & Outreach programs fostering new Australian voices and is the Co-Artistic Director of Red Line Productions based in the Old Fitzroy Theatre.
Anita Hegh (Reader)
Anita Hegh is a multi-award-winning performer whose credits include national and international theatre, film and television roles. A graduate of NIDA, Anita has worked extensively within the theatre industry, including The Resistible Rise of Arturo Ui (Sydney Theatre Company), which saw her receive the 2018 Helpmann award for Best Female Actor in a Supporting Role. Anita's screen work includes film roles in The Last Ride (2009) opposite Hugo Weaving, Stuffed (2014), and Paradise Road (1997) directed by Bruce Beresford. Her recent television credits include Black Comedy, Home and Away, and Janet King. Anita has also built up a wealth of experience in the Australian voiceover industry, with a polished, relatable voice full of emotion.
Aaron Tsindos (Reader)
Aaron Tsindos is a WAAPA graduate, an accomplished actor, writer, singer, comic and voice over artist specialising in truthful performances for commercial, narration, character in comedic and dramatic work across multiple projects throughout Australia
His TV and Film credits include Total Control and Growing Up Gracefully (ABC), Mary: The Making of a Princess (Fremantle Media), Spin Out (Feature - Sony Pictures), No Appointment Necessary (Feature) and Crossing Paths (Feature).
Aaron's theatre credits include No Pay? No Way!, Muriels Wedding, Rosancrantz and Guildenstern are Dead, The White Guard and Cyrano
De Bergerac for Sydney Theatre Company; Shakespeare in Love for Melbourne Theatre Company; Spamalot, Meet Me in St Louis, Big Fish and The Goodbye Girl at the Hayes; The Overcoat at Belvoir; Man with Five Children for Darlinghurst Theatre Company; Shakespearealism, The Importance of Being Earnest and Love's Labours Lost (Sport for Jove); The History Boys (Sydney Opera House), Stephen Sondheim's Assassins (forty five downstairs) and many more.
Anna George (Author)
Anna George has worked in the legal world as well as the film and television industries. Her first novel, What Came Before, was shortlisted for the 2015 Ned Kelly and Sisters in Crime Best Debut Fiction awards, and was longlisted for the 2016 International Dublin Literary Award. She lives in Melbourne with her husband and two children.
Catherine Van Davies (Reader)
Catherine Van Davies graduated from QUT with a BFA (Acting) in 2006 and trained at HB Studio, New York in 2010. She is a versatile actor and voice artist, her screen credits include Amazing Grace (Nine), Hungry Ghosts (SBS), The Letdown (ABC), Fighting Season (Goalpost) and Pet Killer (Black Pills).
Catherine's theatre credits include Playing Beatie Bow (STC), No Pay? No Way!, White Pearl (STC with National Theatre of Parramatta), Going Down (STC with Malthouse), Titus Andronicus, The Misanthrope, Merchant of Venice (Bell Shakespeare), An Enemy Of The People, Back at the Dojo, The Kiss (Belvoir), Turquoise Elephant (Griffin), Angels in America (Apocalypse Theatre Company), The Happy Prince, Dracula and Dangerous Liaisons (Little Ones Theatre).
Catherine was the recipient of the 2020 Sydney Theatre Award for Best Supporting Actor in an Independent Production (Angels in America) and the 2020 Sydney Theatre Award for Best Ensemble (White Pearl).
Catherine has worked regularly with Playwriting Australia's Lotus (with Contemporary Asian Australian Performance) & Outreach programs fostering new Australian voices and is the Co-Artistic Director of Red Line Productions based in the Old Fitzroy Theatre.
Anita Hegh (Reader)
Anita Hegh is a multi-award-winning performer whose credits include national and international theatre, film and television roles. A graduate of NIDA, Anita has worked extensively within the theatre industry, including The Resistible Rise of Arturo Ui (Sydney Theatre Company), which saw her receive the 2018 Helpmann award for Best Female Actor in a Supporting Role. Anita's screen work includes film roles in The Last Ride (2009) opposite Hugo Weaving, Stuffed (2014), and Paradise Road (1997) directed by Bruce Beresford. Her recent television credits include Black Comedy, Home and Away, and Janet King. Anita has also built up a wealth of experience in the Australian voiceover industry, with a polished, relatable voice full of emotion.
Aaron Tsindos (Reader)
Aaron Tsindos is a WAAPA graduate, an accomplished actor, writer, singer, comic and voice over artist specialising in truthful performances for commercial, narration, character in comedic and dramatic work across multiple projects throughout Australia
His TV and Film credits include Total Control and Growing Up Gracefully (ABC), Mary: The Making of a Princess (Fremantle Media), Spin Out (Feature - Sony Pictures), No Appointment Necessary (Feature) and Crossing Paths (Feature).
Aaron's theatre credits include No Pay? No Way!, Muriels Wedding, Rosancrantz and Guildenstern are Dead, The White Guard and Cyrano
De Bergerac for Sydney Theatre Company; Shakespeare in Love for Melbourne Theatre Company; Spamalot, Meet Me in St Louis, Big Fish and The Goodbye Girl at the Hayes; The Overcoat at Belvoir; Man with Five Children for Darlinghurst Theatre Company; Shakespearealism, The Importance of Being Earnest and Love's Labours Lost (Sport for Jove); The History Boys (Sydney Opera House), Stephen Sondheim's Assassins (forty five downstairs) and many more.
Anna George (Author)
Anna George has worked in the legal world as well as the film and television industries. Her first novel, What Came Before, was shortlisted for the 2015 Ned Kelly and Sisters in Crime Best Debut Fiction awards, and was longlisted for the 2016 International Dublin Literary Award. She lives in Melbourne with her husband and two children.
Catherine Van Davies (Reader)
Catherine Van Davies graduated from QUT with a BFA (Acting) in 2006 and trained at HB Studio, New York in 2010. She is a versatile actor and voice artist, her screen credits include Amazing Grace (Nine), Hungry Ghosts (SBS), The Letdown (ABC), Fighting Season (Goalpost) and Pet Killer (Black Pills).
Catherine's theatre credits include Playing Beatie Bow (STC), No Pay? No Way!, White Pearl (STC with National Theatre of Parramatta), Going Down (STC with Malthouse), Titus Andronicus, The Misanthrope, Merchant of Venice (Bell Shakespeare), An Enemy Of The People, Back at the Dojo, The Kiss (Belvoir), Turquoise Elephant (Griffin), Angels in America (Apocalypse Theatre Company), The Happy Prince, Dracula and Dangerous Liaisons (Little Ones Theatre).
Catherine was the recipient of the 2020 Sydney Theatre Award for Best Supporting Actor in an Independent Production (Angels in America) and the 2020 Sydney Theatre Award for Best Ensemble (White Pearl).
Catherine has worked regularly with Playwriting Australia's Lotus (with Contemporary Asian Australian Performance) & Outreach programs fostering new Australian voices and is the Co-Artistic Director of Red Line Productions based in the Old Fitzroy Theatre.
Anita Hegh (Reader)
Anita Hegh is a multi-award-winning performer whose credits include national and international theatre, film and television roles. A graduate of NIDA, Anita has worked extensively within the theatre industry, including The Resistible Rise of Arturo Ui (Sydney Theatre Company), which saw her receive the 2018 Helpmann award for Best Female Actor in a Supporting Role. Anita's screen work includes film roles in The Last Ride (2009) opposite Hugo Weaving, Stuffed (2014), and Paradise Road (1997) directed by Bruce Beresford. Her recent television credits include Black Comedy, Home and Away, and Janet King. Anita has also built up a wealth of experience in the Australian voiceover industry, with a polished, relatable voice full of emotion.
Aaron Tsindos (Reader)
Aaron Tsindos is a WAAPA graduate, an accomplished actor, writer, singer, comic and voice over artist specialising in truthful performances for commercial, narration, character in comedic and dramatic work across multiple projects throughout Australia
His TV and Film credits include Total Control and Growing Up Gracefully (ABC), Mary: The Making of a Princess (Fremantle Media), Spin Out (Feature - Sony Pictures), No Appointment Necessary (Feature) and Crossing Paths (Feature).
Aaron's theatre credits include No Pay? No Way!, Muriels Wedding, Rosancrantz and Guildenstern are Dead, The White Guard and Cyrano
De Bergerac for Sydney Theatre Company; Shakespeare in Love for Melbourne Theatre Company; Spamalot, Meet Me in St Louis, Big Fish and The Goodbye Girl at the Hayes; The Overcoat at Belvoir; Man with Five Children for Darlinghurst Theatre Company; Shakespearealism, The Importance of Being Earnest and Love's Labours Lost (Sport for Jove); The History Boys (Sydney Opera House), Stephen Sondheim's Assassins (forty five downstairs) and many more.