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How the Old World Ended by Jonathan Scott
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How the Old World Ended

The Anglo-Dutch-American Revolution 1500-1800

$26.24

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Narrator David de Vries

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Length 12 hours 45 minutes
Language English
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A magisterial account of how the cultural and maritime relationships between the British, Dutch, and American territories changed the existing world order—and made the Industrial Revolution possible

Between 1500 and 1800, the North Sea region overtook the Mediterranean as the most dynamic part of the world. At its core the Anglo-Dutch relationship intertwined close alliance and fierce antagonism to intense creative effect. But a precondition for the Industrial Revolution was also the establishment in British North America of a unique type of colony—for the settlement of people and culture, rather than the extraction of things.

England's republican revolution of 1649–53 was a spectacular attempt to change social, political, and moral life in the direction pioneered by the Dutch. In this book Jonathan Scott argues that it was also a turning point in world history.

In the revolution's wake, competition with the Dutch transformed the military-fiscal and naval resources of the state. One result was a navally protected Anglo-American trading monopoly. Within this context, more than a century later, the Industrial Revolution would be triggered by the alchemical power of American shopping.

Jonathan Scott is a professor of history at the University of Auckland. His publications include England's Troubles and When the Waves Ruled Britannia.

David de Vries can be seen in a number of feature films, including The Founder, The Accountant, Captain America: Civil War, and Billy Lynn's Long Halftime Walk. On television, his credits include House of Cards, Nashville, Halt and Catch Fire, the National Geographic film Killing Reagan, and The Immortal Life of Henrietta Lacks for HBO. As a veteran stage actor, David appeared as Lumiere in Disney's Beauty and the Beast on Broadway, as Dr. Dillamond in the Los Angeles and Chicago companies of Wicked, and in hundreds of shows in regional theaters throughout the country. He is an Audie and Odyssey Award-winning narrator for his performance in Pam Munoz Ryan's Echo and has voiced over 100 titles in every genre, including his Audie Award-nominated performance of the 2011 Caldecott winner A Sick Day for Amos McGee.

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