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Pain Is Weakness Leaving the Body by Lyle Jeremy Rubin
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Pain Is Weakness Leaving the Body

A Marine's Unbecoming

$29.39

Get for $14.99 with membership
Length 10 hours 44 minutes
Language English
Narrators Garrett Michael Brown & Lyle Jeremy Rubin

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An honest reckoning with the war on terror, masculinity, and the violence of American hegemony abroad, at home, and on the psyche, from a veteran whose convictions came undone

When Lyle Jeremy Rubin first arrived at Marine Officer Candidates School, he was convinced that the “war on terror” was necessary to national security. He also subscribed to a strict code of manhood that military service conjured and perpetuated. Then he began to train and his worldview shattered. Honorably discharged five years later, Rubin returned to the United States with none of his beliefs, about himself or his country, intact. 

In Pain Is Weakness Leaving the Body, Rubin narrates his own undoing, the profound disillusionment that took hold of him on bases in the U.S. and Afghanistan. He both examines his own failings as a participant in a prescribed masculinity and the failings of American empire, examining the racialized and class hierarchies and culture of conquest that constitute the machinery of U.S. imperialism. The result is a searing analysis and the story of one man’s personal and political conversion, told in beautiful prose by an essayist, historian, and veteran transformed. 

Lyle Jeremy Rubin is a veteran of the war in Afghanistan who writes about capitalism and U.S. empire. He has a doctorate in history from the University of Rochester and has contributed to a variety of publications, including the New York Times, the Washington Post, The Guardian, The Nation, Raritan, and n+1. When he is not working or reading, he likes to pay attention to the birds. 

Lyle Jeremy Rubin is a veteran of the war in Afghanistan who writes about capitalism and U.S. empire. He has a doctorate in history from the University of Rochester and has contributed to a variety of publications, including the New York Times, the Washington Post, The Guardian, The Nation, Raritan, and n+1. When he is not working or reading, he likes to pay attention to the birds. 

Illustration of person sitting

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Reviews

“A fierce denunciation of a pointless war.”—Kirkus Reviews “This is not your ordinary military memoir. It is not often that one experiences a truly original mind, a way of thinking combined with literary skill and grounded in hard learned humility, but that is Lyle Jeremy Rubin on his path from acting as an instrument of empire to deconstructing it and understanding the true meaning of freedom, community, and ethics. Never has a takedown of militarism, capitalism, and empire been more powerful and persuasive.”—Roxanne Dunbar-Ortiz, author of An Indigenous Peoples’ History of the United States “An instant classic of antiwar literature, Rubin’s stunning coming-of-age story as a US Marine is an absorbing look at how imperial masculinity is made through personal experience and psychic transformation. But the book doubles as a political reflection on how to achieve a critical perspective on our times in a forgetful country. This is a must-read—especially for Americans who rely on the service of others without owning the damaging results.”—Samuel Moyn, author of Humane “Few people have traced the connections between masculinity, American empire, and the ailments of our republic with as much unflinching grace as Rubin. Give this book to the angry young men in your life.”—Matthieu Aikins, Pulitzer Prize–winning journalist and author of The Naked Don’t Fear the Water “Both a gut-wrenching portrait of the psychic, physical, sexual, and structural violence of American imperialism and a powerful conversion story of transformation from enthusiastic foot soldier to incisive internal critic of American empire. In a moment calling for reckoning with the ravages of America’s wars at home and abroad, this is a worthwhile read.”—Adom Getachew, author of Worldmaking after Empire “This is no equivocal or evasive military memoir, content to agonize over war’s dehumanization but unwilling to name the exploitative, extractive, and racist forces that drive it. Rubin’s experiences compel him to see his enemy as the socioeconomic system that rots America out and drives it to dominate the world.”—Spencer Ackerman, Pulitzer Prize–winning journalist and author of Reign of Terror “What’s a nice neocon kid and AIPAC intern doing in a place like the US Marine Corps? Having his worldview shattered and coming to see American life in a new way, as it turns out. Rubin’s memoir is more about his changing perception than his combat experience. Original, thoughtful, sometimes raw, and often provocative.”—Stephen Kinzer, author of Poisoner in Chief “In recounting his own personal path into and out of the military, Rubin beautifully intertwines memoir, political analysis, and sweeping history. In the process, he offers a powerful articulation of the cycles of violence and discontent generated time and again, both at home and abroad, by the US security state. The result is essential reading for all concerned Americans.”—Aziz Rana, author of Two Faces of American Freedom “Rubin has written much more than a riveting war story, which brings him from boot camp to Afghanistan’s Helmand Province to kill or be killed. Pain is Weakness Leaving the Body is a distressing, humane, searching story of coming of age in 21st-century America — of joining the ranks of the angry privileged, of seeking to dominate but, in time, learning to listen. Engrossing to the last word.”—Stephen Wertheim, author of Tomorrow the World: The Birth of U.S. Global Supremacy “Weakness might or might not leave the body, but wisdom and empathy flow in upon reading Rubin’s gripping account of his time as a post–9/11 soldier. Rubin’s book is an intellectual and moral challenge, a war memoir that forces the reader to wrestle as much with ideas as with battle stories. Rubin’s beautiful, Hemingway-esque clipped cadence is perfect for trying to make sense of our baroque, wounded world.”—Greg Grandin, Pulitzer Prize–winning author of The End of the Myth “Like Orwell in ‘Shooting an Elephant,’ Rubin is disgusted by the work he did for a colonizing empire, and yet he remains fascinated by the thinking that brought him there. In shape-shifting prose both narrative and philosophical, Rubin shows the deep connections between masculinity and militarism as they play out in his own life and the larger world in which the American empire operates. This a book full of pain, weakness, and bodies, but it is wise enough to know that only the bodies are ever really gone.”—Baynard Woods, author of Inheritance Expand reviews
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