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Made Glorious by Lindsay Eagar
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Made Glorious

$26.24

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Narrator Morgan Dalla Betta

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Length 10 hours 15 minutes
Language English
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Rory is an antihero for the ages. Like Shakespeare’s Richard III, she confides in her audience, telling us exactly the lengths she’ll go to to secure the leading role in Bosworth Academy’s senior musical, confessing without shame that she is charming and conniving and brutally ambitious, that we will watch and root for her even as she manipulates and endangers those around her. And we do. Perhaps it’s because we don’t want to believe that she’s as relentless as she claims. Rory is an underdog, after all, a scholarship kid teased for her weight. Surely there will be redemption? Surely our dread and patience will be rewarded? Intricately plotted with an ingenious narrative that blends multiple viewpoints with script excerpts and an original musical score, Lindsay Eagar’s whip-smart, precision-crafted, and gleefully compulsive page-turner taps into the dark side of high-school theater production. A diabolically good listen, it forces our complicity as we wince and cheer for an arresting drama queen who just can’t help going full-tilt nasty in the pursuit of her dream.

Lindsay Eagar is the highly acclaimed author of the young adult novel The Family Fortuna and of the middle-grade novels Hour of the Bees, Race to the Bottom of the Sea, The Bigfoot Files, and The Patron Thief of Bread. She lives in the mountains of Utah with her husband and their two daughters.

Morgan Dalla Betta is an experienced audiobook narrator whose voice has been described as reassuring, soulful, and timeless. A SAG-AFTRA actor, she trained at Stella Adler in NYC and at the Royal Academy of Dramatic Art in London. She has a degree in classical literature. When she’s not weaving a tale, she can be found wood-burning art onto forest scraps, enjoying a cup of Yorkshire Gold, or forever planning her next adventure.

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Reviews

A misunderstood thespian stops at nothing to obtain a lead role in this modern retelling of Shakespeare’s Richard III. … Through a narrative format that shifts between the first and third person, moves forward and backward in time, and incorporates prose, play scripts, and even a musical score, Rory’s numerous misdeeds are revealed… Reimagining Richard III as a toxic theater kid rather than a crown-hungry noble is thought provoking… Sensationally tragic. Expand reviews
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