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Start giftingHow It Feels to Be Free
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Learn moreIn 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers.
In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy. That same year, Diahann Carroll took on the starring role in the television series Julia.
How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement.
Ruth Feldstein is associate professor of history at Rutgers University, Newark. She is the author of Motherhood in Black and White: Race and Sex in American Liberalism, 1930-1965.
Adenrele Ojo is a native Philadelphian who currently resides in Los Angeles by way of New York. She is a wearer of many creative hats: actress, voice-over artist, writer, producer, and photographer. Adenrele is a theater baby (daughter of the late founder of The New Freedom Theatre in Philadelphia, John E. Allen Jr.) who received her BA in theater from Hunter College in New York and honed her skills at the William Esper Studio, studying Meisner under the auspices of Maggie Flanigan. No stranger to the stage, a few of her theater credits include August Wilson's Jitney (NJPAC); Bronzeville (Robey Theatre Co.); Joe Turner's Come and Gone (nominated for an L.A. Stage Alliance Ovation Award for Featured Actress); and The Ballad of Emmett Till by Ifa Bayeza, directed by Shirley Jo Finney, which won the 2010 L.A. Stage Alliance Ovation Award & the Los Angeles Drama Critics Award for Best Ensemble. She moves from stage to screen in such feature films as Within; Family; Elevate and Bathroom Vanities, a don't-judge-a-book-by-it's-cover comedy about one woman's unforgettable experience in a ladies' bathroom, directed by Christopher Scott Cherot (Hav Plenty and G), which Adenrele starred, cowrote and produced under the umbrella of her production company, NeW YiLLy Entertainment. Ojo's voice can also be heard on many audiobooks, which she has been recording since 2007 and for which she has received several AudioFile Earphones Awards. Some of her works include Katie Couric's The Best Advice I Ever Got, Someone Knows My Name by Lawrence Hill, The Mothers by Brit Bennett (AudioFile Best of 2016 Fiction), Weapons of Mass Seduction by Lori Bryant-Woolridge, Oprah's Book Club 2.0 pick, The Twelve Tribes of Hattie by Ayana Mathis, The Healing by Jonathan Odell, Unforgivable Love by Sophfronia Scott and Billions and Billions by Carl Sagan. When she is not recording, you can sometimes find her directing authors, celebrity actors, and other audiobook narrators.
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