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Start giftingMarking Time
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Learn moreMore than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them.
Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls.
As the movement to transform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
Nicole R. Fleetwood is professor of American studies and art history at Rutgers University. Her work on art and mass incarceration has been featured at the Aperture Foundation and the Zimmerli Museum of Art, and her exhibitions have been praised by the New York Times, the Nation, the Village Voice, and the New Yorker. She is the author of On Racial Icons and the prizewinning Troubling Vision.
Adenrele Ojo is a native Philadelphian who currently resides in Los Angeles by way of New York. She is a wearer of many creative hats: actress, voice-over artist, writer, producer, and photographer. Adenrele is a theater baby (daughter of the late founder of The New Freedom Theatre in Philadelphia, John E. Allen Jr.) who received her BA in theater from Hunter College in New York and honed her skills at the William Esper Studio, studying Meisner under the auspices of Maggie Flanigan. No stranger to the stage, a few of her theater credits include August Wilson's Jitney (NJPAC); Bronzeville (Robey Theatre Co.); Joe Turner's Come and Gone (nominated for an L.A. Stage Alliance Ovation Award for Featured Actress); and The Ballad of Emmett Till by Ifa Bayeza, directed by Shirley Jo Finney, which won the 2010 L.A. Stage Alliance Ovation Award & the Los Angeles Drama Critics Award for Best Ensemble. She moves from stage to screen in such feature films as Within; Family; Elevate and Bathroom Vanities, a don't-judge-a-book-by-it's-cover comedy about one woman's unforgettable experience in a ladies' bathroom, directed by Christopher Scott Cherot (Hav Plenty and G), which Adenrele starred, cowrote and produced under the umbrella of her production company, NeW YiLLy Entertainment. Ojo's voice can also be heard on many audiobooks, which she has been recording since 2007 and for which she has received several AudioFile Earphones Awards. Some of her works include Katie Couric's The Best Advice I Ever Got, Someone Knows My Name by Lawrence Hill, The Mothers by Brit Bennett (AudioFile Best of 2016 Fiction), Weapons of Mass Seduction by Lori Bryant-Woolridge, Oprah's Book Club 2.0 pick, The Twelve Tribes of Hattie by Ayana Mathis, The Healing by Jonathan Odell, Unforgivable Love by Sophfronia Scott and Billions and Billions by Carl Sagan. When she is not recording, you can sometimes find her directing authors, celebrity actors, and other audiobook narrators.
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