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Sign up todayThe Cultural Revolution
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Learn moreBloomsbury presents The Cultural Revolution by Frank Dikötter, read by Daniel York Loh.
Acclaimed by the Daily Mail as 'definitive and harrowing', this is the final volume of ‘The People’s Trilogy', begun by the Samuel Johnson prize-winning Mao's Great Famine.
'The seminal English language work on the subject’ Sunday Times
‘A major contribution to scholarship on modern China, one that is unequalled, certainly in the English language … both revealing and rewarding reading – for specialists and non-specialists alike' Literary Review
After the economic disaster of the Great Leap Forward that claimed tens of millions of lives between 1958 and 1962, an ageing Mao launched an ambitious scheme to shore up his reputation and eliminate those he viewed as a threat to his legacy. The stated goal of the Cultural Revolution was to purge the country of bourgeois, capitalist elements he claimed were threatening genuine communist ideology. But the Chairman also used the Cultural Revolution to turn on his colleagues, some of them longstanding comrades-in-arms, subjecting them to public humiliation, imprisonment and torture.
Young students formed Red Guards, vowing to defend the Chairman to the death, but soon rival factions started fighting each other in the streets with semi-automatic weapons in the name of revolutionary purity. As the country descended into chaos, the military intervened, turning China into a garrison state marked by bloody purges that crushed as many as one in fifty people.
When the army itself fell victim to the Cultural Revolution, ordinary people used the political chaos to resurrect the market and hollow out the party's ideology. In short, they buried Maoism. In-depth interviews and archival research at last give voice to the people and the complex choices they faced, undermining the picture of conformity that is often understood to have characterised the last years of Mao's regime. By demonstrating that decollectivisation from below was an unintended consequence of a decade of violent purges and entrenched fear, Frank Dikötter casts China's most tumultuous era in a wholly new light.
Written with unprecedented access to previously classified party documents from secret police reports to unexpurgated versions of leadership speeches, this third chapter in Frank Dikötter's extraordinarily lucid and ground-breaking 'People's Trilogy' is a devastating reassessment of the history of the People's Republic of China.
Frank Dikötter is Chair Professor of Humanities at the University of Hong Kong and Senior Fellow at the Hoover Institution. His books have changed the way historians view China, from the classic The Discourse of Race in Modern China to his award-winning People's Trilogy documenting the lives of ordinary people under Mao. He is married and lives in Hong Kong.
Daniel York Loh is a mixed-race British East Asian actor, writer, filmmaker and musician. His first full-length play, The Fu Manchu Complex, ran at Ovalhouse in 2013. Along with composer Craig Adams, he won the 2016 Perfect Pitch award to create an original stage musical, Sinking Water, based on events around the 2004 Morecambe Bay Chinese cockle-picker tragedy, which is currently being developed under commission by Theatre Royal Stratford East. He is one of 21 writers of colour featured in the collection of essays, The Good Immigrant, which won the 2016 Books Are My Bag Reader’s Choice award. He has served on the Equity Minority Ethnic Members Committee, is a founder member of British East Asian Artists and has worked with Act For Change to promote diversity in UK media.