Decent People

Reviews

[A] talented young author . . . Watching Winslow subvert the conventions of an old literary form is half the thrill of this novel. After all, the shelf of mystery detectives is hardly crowded with 60-year-old Black women. And that’s not the only cozy convention Winslow toys with . . . The larger social context that Winslow explores is what moves this story beyond one crime into a reflection on the myriad unacknowledged crimes committed across decades. Propulsive . . . a murder mystery that doubles as a savvy examination of race and class . . . Decent People practically turns its own pages, creating in the reader an insatiable curiosity. Hard-hitting . . . an intriguing murder puzzle—and a good deal more. Thanks to richly detailed chapters that switch between multiple points of view, readers are drawn into the lives and memories of several West Mills citizens. All have secrets to hide. But [main character] Ms. Wright, like Mr. Winslow, handles everything with grit and style. Decent People is a propulsive novel with rich characters drawn from life in North Carolina, written by a man who knows his state well enough to portray both its struggles and its people’s enduring will to resolve them. Decent People assures Winslow a place in the pantheon of great Southern writers. Spirited. [An] elegant mystery. If you love murder mysteries, Winslow's second novel is a fresh take on an old form. Winslow returns to the fictional Southern town of West Mills for a second time in this expertly-plotted and character-driven follow-up to his award-winning debut novel . . . A haunting, page-turning mystery, Decent People makes a must-read on anyone’s literary list. Interconnected family secrets, a whodunit murder mystery and the unshakable remnants of bigotry spin North Carolina author De’Shawn Charles Winslow’s second novel ‘Decent People’ into an introspective and big-hearted examination of small-town Southern life … On the surface Decent People is a cozy, homespun mystery that sets out to answer who killed the Harmon siblings. But Winslow has tucked a sophisticated story full of entwined relationships and crackling social commentary inside this small-town tale. In examining the bigotry, racism and classism prevalent in West Mills four decades ago, Winslow puts forth the question without directly asking: How much has truly changed? Anyone who adored Charmaine Wilkerson’s Black Cake and Dolen Perkins-Valdez’s Take My Hand, take note. De’Shawn Charles Winslow invites readers on a satisfying ride that, through his keen observations of human nature, leads to deeper considerations of the glacial progress of racial equality. Winslow offers several points of view in this character-driven mystery, once again pulling readers in with conversational, highly readable writing while deftly weaving in themes of race, sexuality, and small-town dynamics. Another winner. As far as endearing, small-town amateur elder sleuths go, Agatha Christie's Miss Marple has some competition in Josephine "Jo" Wright, who features in De'Shawn Charles Winslow's splendid second novel, Decent People, a mystery in which there's a lot more at stake than finding a murderer. It’s built around a mystery, but this novel is more a deep literary exploration of the complex dynamics of race, class, and homophobia in the 1970s American South; it proves a worthy successor to Winslow’s acclaimed In West Mills. Winslow chronicles the aftermath of a triple homicide that rocks a segregated Southern community in his dynamic latest . . . There are a trove of surprises along the way to the well-earned resolution, and Winslow entrances readers with strong characters, impeccable prose, and brisk pacing. As a character-driven mystery, it delivers the goods. This tale comes across as considerably more than a regional whodunit because of its author’s humane and sensitive perceptions toward his characters, even those who may not deserve such equanimity. Stellar . . . A first-rate literary mystery and a brilliantly threaded character-driven novel of fractured lives seeking a healing of the human spirit . . . Decent People further advances Winslow’s well-deserved reputation as a rising star in American literature with a novel that masterfully balances its themes of empathy and social justice with its structure as a small-town mystery page-turner. The narrative also serves as an inviting point of entrance for new readers and a welcome return for Winslow’s dedicated following into the fully realized world of West Mills, where love — be it romantic, familial, or platonic — still can alight a path home, even in the darkest times. One of De'Shawn Charles Winslow's greatest gifts is his world-building mastery. West Mills and the people who reside in it feel so real, recognizable, tangible, vibrant, and vivid. His rendering of this southern landscape is extraordinary. And this skill serves Decent People very well. It's been a very long time since I've read a good, old-fashioned whodunnit, and this is a most outstanding one, accomplishing several feats at once: it's a compelling mystery with brilliant misdirections and surprising revelations, all while having depth of purpose and critical, crucial social commentary. Decent People is quite the achievement. De’Shawn Charles Winslow’s powerful second novel Decent People is a gripping mystery but also something more. A thoughtful examination of small-town life becomes a story about America itself, looking directly at the legacies of racism and segregation, homophobia and secrecy, poverty and power. Despite the darkness of the subject matter, Winslow has a light touch, moving readers briskly through the novel’s kaleidoscopic events. He spices the story with period detail, apposite references to McMillan & Wife and Patty Hearst that remind us we are visiting a lost world. Winslow’s novel partakes of seedy crime and racial violence, family secrets and betrayals, romantic rivalries and hopeless loves but resolves into an essentially domestic question: Where can we find a home? Compelling . . . Winslow’s storytelling here shows ample ability and imagination, taking up [Toni] Morrison’s claim to see characters that represent all of us. Expand reviews