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Sign up todayNo One Leaves the World Unhurt
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Learn moreJohn Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying “It is what it is. / It’s not what it might have been.” Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy’s vibrant collection is simultaneously philosophical, whimsical, serious, and searching.
John Foy’s work has been included in the Swallow Anthology of New American Poets, The Best of the Raintown Review, and Rabbit Ears: TV Poems. He has published widely in journals, including The New Yorker, Poetry, The Hudson Review, The New Criterion, The Village Voice, Parnassus, American Arts Quarterly, Alabama Literary Review, The Dark Horse (in Scotland), The Yale Review, Barrow Street, and The Hopkins Review. His poems have appeared online in Literary Matters, Poetry Daily, E-Verse Radio, Ducts, Kin, The Nervous Breakdown, Big City Lit, and Angle, an online literary journal in the UK. His essays and reviews have run in Parnassus, The New Criterion, Contemporary Poetry Review, The Dark Horse, and other publications, and he has been a guest blogger for Best American Poetry. He holds an MFA from Columbia University and lives with his family in New York, where he works as a senior financial editor.