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Sign up todayThe Deportees: and Other Stories
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Learn moreThe eight tales in Roddy Doyle’s first-ever collection of stories have one thing in common: someone born in Ireland meets someone who has come to live there. New Boy describes the first day of school for a nine-year-old boy from Africa; while in The Pram, a terrifying ghost story, a Polish nanny grows impatient with her charge’s older sisters and decides—in a new phrase she has learned—to “scare them shitless.” In 57% Irish, a man decides to devise a test of Irishness by measuring reactions to three things: Riverdance, the song “Danny Boy,” and Robbie Keane’s goal against Germany in the 2002 World Cup. And in the wonderful title story, Jimmy Rabbitte, the man who formed The Commitments, decides that it’s time to find a new band—a multicultural outfit that specializes not in soul music but in the folk songs of Woody Guthrie. With empathy and insight, The Deportees and Other Stories takes a new slant on the immigrant experience, something of increasing relevance in today’s Ireland.
Roddy Doyle is the author of ten acclaimed novels, several collections of stories, and several works for children and young adults. In 2009 he received the Irish PEN Award for Literature. The Commitments was made into a motion picture in 1991, and Paddy Clarke Ha-Ha-Ha won the Man Booker Prize, Britain’s highest literary award. The Van was a finalist for the Booker Prize. He lives in Dublin where he was born in 1958.
Hugh Lee has worked extensively in theater and television. He starred in the West End in Stones in His Pockets, played Yolland in the Abbey Theatre’s production of Translations, and played Thurio in The Two Gentlemen of Verona. His television appearances include Bad Girls, Just William, Doctors, and Bugs.
Reviews
“All these stories are about blended worlds and the problems inherent in that blending, no matter what wealth or luxury a place affords. The guys and dolls in Jimmy Rabbitte’s new gang have last names like Boro, Bunuel, Stefanescu, and Ivanov, and when he tries to bring them together as he had with the Commitments, it seems as if it can’t work: ‘The dynamic was different; they were older, foreign, the country was too prosperous, they weren’t hungry—something.’ That ‘something’ lies at the heart of this collection, and its elusiveness is captivating. As, of course, is Doyle’s sense of humor.”
“There isn’t a bad story in the bunch, and each introduces vivid characters struggling with self-identity in a newly multicultural Ireland. Roddy Doyle has long been a treasure, and this collection wonderfully reflects his richly comic humanity.”
“Writing at the top of his form...Doyle proves a brilliant, offbeat Dublin diplomat…He has the sharpest eye, the wildest sense of humor, and the most benevolent heart.”
“Constantly inventive, extremely funny, and illustrate his ability to get under the skin of ordinary people.”
“The evident sincerity and unrepentant good cheer of these stories will carry the reader a long way with them.”
“Doyle’s dynamic first collection of short stories offers light and heartfelt perspectives on the effects of immigration on Irish culture…Doyle’s wry sense of humor saves the narrative from triteness… Doyle’s immense talent as a writer is neatly showcased throughout, and his sharp wit adds a richness to every tale.”
“Every selection reflects the author’s mastery at creating authentic dialog and a realistic sense of place; readers will find themselves drawn into the sounds, sights, and highly charged atmosphere of contemporary Dublin. Highly recommended.”
“Critics agreed that The Deportees is vintage Doyle, demonstrating his sharp wit, lively sense of humor, richly drawn characters, and ear for dialogue…By turns poignant and chilling, heartbreaking and laugh-out-loud funny, Doyle’s stories are as affecting as his novels.”
“Doyle’s employment of dialogue and vernacular are characteristically colorful.”
“The stories are characterized by broad humor or satire…Hugh Lee is an outstanding match for the material. The characters in every story are given distinct voices that seem true to the personalities being portrayed. Rapid-fire conversations sound as if they’ve been recorded in real life. Lee’s performance of ‘The Pram,’ in particular, is a tour de force, offering the voices of a Polish nanny, two small Irish girls, and a range of Irish adults. The listener is unquestionably in Ireland throughout this excellent production. Winner of an AudioFile Earphones Award.”
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