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Start giftingSuicide Hill
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreIn disgrace after a badly handled arrest in New Orleans, Sergeant Lloyd Hopkins is assigned as a liaison officer to an FBI investigation into a series of diabolical and clever bank robberies. Three men have done their homework: they choose bank managers who are having affairs, kidnap their girlfriends, and force the managers to open the banks early. When the bank robbers turn violent, Hopkins finds himself with a bit of information he would rather not have—information about police corruption that reaches into the office of his sworn enemy Fred Gaffney, head of the Internal Affairs Division.
James Ellroy was born in Los Angeles in 1948. He is the author of the Underworld U.S.A. Trilogy—American Tabloid, The Cold Six Thousand, and Blood’s A Rover—and the L. A. Quartet novels, The Black Dahlia, The Big Nowhere, L. A. Confidential, and White Jazz. American Tabloid was Time magazine’s Best Book (fiction) of 1995; his memoir My Dark Places was a Time Best Book of the Year and a New York Times Notable Book for 1996. The Cold Six Thousand was a New York Times Notable Book and a Los Angeles Times Best Book of 2001. He lives in Los Angeles.
L. J. Ganser is the winner of the prestigious Audie Award for Best Nonfiction Narration for his work in The Island at the Center of the World. He has recorded over 450 titles, ranging from preschool books to crime noir thrillers, from astronomical adventures in both science and science fiction, to Arctic Circle high school basketball stories.
Reviews
“One of the great American writers of our time.”
“His spare noir style…hits like a cleaver but…is honed like a scalpel.”
“Nobody in this generation matches the breadth and depth of James Ellroy’s way with noir.”
“Literate, suspenseful, honest…His pages crackle with maniac energy…Ellroy captures the vocabulary, the rituals, the smells and rhythms and colors of real people living on the edge…Nobody since Chandler has evoked so perfectly the seamy side of LA.”
“The book hurtles along with almost equal gore and slapstick, L.A.’s sleazy sides are brilliantly drawn…Ellroy can’t write a dull line.”
“Undeniable edge and punch”
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