Having escaped to Hollywood after catching her boyfriend in bed with her best friend, London stage actress Kate McPhee is offered a gig on the popular daytime television series Live for Tomorrow. As Devon Merrick—police detective, car crash victim, and love interest for at least two men—she knows all the secrets and sins pulsating in fictional Hope Canyon. But the real drama is off the set, where the soap is indeed slippery.
Enter Meredith Contini, the show’s power-wielding diva. Meredith has two rules: Know your place and Stay in it. Kate broke both on day one, which is why she suddenly found her character switching sexual orientation. That brilliant solution came from Daphne del Valle, the show’s barking-mad obsessive/compulsive producer, who drives herself and her actors to enthrall the audience. (“Sell the hurt. Sell the rage. Sell the hunger. Sell the loooooove.”)
As gay detective Devon Merrick, Kate is a smash. The show is a hit. But Kate’s private life seems to be becoming something of a drama itself. Especially since everybody thinks she really is gay, which is a problem since she thinks the best cure for her real-life broken heart is to get a man into her bed. But who? Kirk, her sexy, tan, and talented leading man, is involved with Meredith. There’s Matt, the magician who makes her tea, but will her fourteen-hour days keep them from the promise of tangled sheets? And there’s Wyatt, her handsome new co-star, who Kate believes is the great love of her life. Except that he’s married, and his wife, Christine, is Kate’s new makeup artist and the one sane friend she has made in Los Angeles.
As the line between television and reality blurs with increasing speed, tension tightens and passions surge. Does Wyatt want Kate as much as she wants him? Will Christine find out? Will Kate lose her new friend? Will Meredith finally have Kate fired? Will Kate ever get to “come out” as heterosexual on the set? Are her steamy kiss scenes fated to be only with beautiful women?
Emmy Award–winning actress Finola Hughes whips up a frothy, scathingly funny novel worthy of any afternoon time slot in this delicious romp that takes listeners through the twists, turns, and dish that drive the madness that is daytime television.
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