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Sign up todayBury What We Cannot Take
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Learn more“Complex and rich, Chen’s story serves as a fascinating window into a unique period of history and the plight of one displaced family.” —Harper’s Bazaar
The day nine-year-old San San and her twelve-year-old brother, Ah Liam, discover their grandmother taking a hammer to a framed portrait of Chairman Mao is the day that forever changes their lives. To prove his loyalty to the Party, Ah Liam reports his grandmother to the authorities. But his belief in doing the right thing sets in motion a terrible chain of events.
Now they must flee their home on Drum Wave Islet, which sits just a few hundred meters across the channel from mainland China. But when their mother goes to procure visas for safe passage to Hong Kong, the government will only issue them on the condition that she leave behind one of her children as proof of the family’s intention to return.
Against the backdrop of early Maoist China, this captivating and emotional tale follows a brother, a sister, a father, and a mother as they grapple with their agonizing decision, its far-reaching consequences, and their hope for redemption.
Kirstin Chen is the author of the novel Soy Sauce for Beginners. Born and raised in Singapore, she currently lives in San Francisco.
Reviews
“Chen captures the complex and terrifying political environment of the time through San San’s horrifying experience trying to reach her family, as well as through the depiction of the consequences of family loyalty over party loyalty. This is a fascinating family portrait.” —Publishers Weekly (starred review)
“Historic and contemporary themes related to refugees, immigrants, and periods of social, politica,l and cultural unrest add significance and immediacy to Chen’s fast-paced novel.” —San Jose Mercury News
“Chen’s writing is fluid, and her storytelling ability is engaging. Readers are easily drawn to the characters and their perils, particularly plucky young San San…This novel is a quick and enjoyable read that should appeal to many audiences.” —Library Journal
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