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The Nothing Man
“Gripping, beautifully written, and genuinely chilling, The Nothing Man had me from page one. Simply stellar.”—Meg Gardiner, Edgar Award–winning author of The Dark Corners of the Night
I was the girl who survived the Nothing Man. Now I am the woman who is going to catch him …
At the age of twelve, Eve Black was the only member of her family to survive an encounter with serial attacker the Nothing Man. Now an adult, she is obsessed with identifying the man who destroyed her life.
Supermarket security guard Jim Doyle has just started reading The Nothing Man—the true-crime memoir Eve has written about her efforts to track down her family’s killer. As he turns each page, his rage grows. Because Jim’s not just interested in reading about the Nothing Man. He is the Nothing Man.
Jim soon begins to realize how dangerously close Eve is getting to the truth. He knows she won’t give up until she finds him. He has no choice but to stop her first …
Alana Kerr Collins is a Meisner-trained actress, a classically trained soprano, and a Sesame Workshop trained puppeteer who received her bachelor's degree in drama and English from Trinity College in Dublin. The recipient of an Audie Award for her work on Angela Hunt’s Risen, she has recorded over fifty audiobook titles. Born and raised in Belfast, Ireland, she currently resides in Los Angeles.
John Keating's numerous acting credits include Roundabout Theatre's production of Juno and the Paycock and La Mama ETC's production of Cat and the Moon, as well as various parts with the Irish Repertory Theater and the Irish Arts Center. He is a regular performer with the Independent Shakespeare Company and can also be seen in the HBO original mini-series John Adams, starring Paul Giamatti and Laura Linney. John's audiobook narrations have earned Earphone Awards and an Audie nomination. Most notably, he's read Eoin Colfer's Airman, Avi's The Traitors' Gate, and Jenny Nimmo's The Snow Spider. He also lent his voice to An Irish Country Doctor and An Irish Country Village, both by Patrick Taylor.