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Abridged
The Comedy-O-Rama Hour: The XM Satellite Years - Abridged by Joe Bevilacqua, Lorie Kellogg, Charles Dawson Butler, Robert J. Cirasa, Pedro Pablo Sacristán & Emmanuel Adeleye
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The Comedy-O-Rama Hour: The XM Satellite Years - Abridged

$20.99

Retail price: $29.95

Discount: 29%

This title is not eligible for purchase with membership credits. Why?

Length 30 hours 3 minutes
Language English
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Now available in one collection for you to enjoy!

Long before Sgt. Lefty and the Camp Waterlogg gang took over, The Comedy-O-Rama Hour residents were parody versions of Mysteries (Sherlock Holmes), Old-time Radio (The Shadow, The Lone Ranger, etc.), SCI-FI (Willoughby and the Professor), Superheroes (Teaman and Polfroon), and more.

“Those were the XM years,” explains Joe Bevilacqua (Joe Bev), who not only produced Comedy-O-Rama, but also wrote and voiced 80% of the productions, which aired four years on XM Satellite Radio.

Joe Bev, explains, “The idea started in 1996 as a website paying tribute to old-time comedians. When XM Program Direct Steve Karesh asked me to turn the website into a weekly radio show, I wrote many hours of radio theater, complete with sound effects and music. Many others contributed and ended up making 60 hours worth!”

The original scripted Comedy-O-Rama came to a conclusion in 2008, a victim of the SiriusXM merger. During the show’s hiatus, Joe Bev created a number of other successful radio shows, including The Jazz-O-Rama Hour, The Joe Bev Experience, Cartoon Carnival, and The Joe Bev Audio Theater, all still produced and running today on many radio stations, as well as podcasts.

In 2012, Joe Bev revamped The Comedy-O-Rama Hour as an totally improvised radio theater experience involving the fictional Camp Waterlogg. Over 70 hours of those have since been produced, and all are available, under separate titles, from Blackstone Audio.

Joe Bevilacqua, also known as Joe Bev, is a public radio producer and radio theater dramatist. However, his career has taken him into every aspect of show business, including stage, film, and television as a producer, director, writer, author, actor, journalist, documentarian, and even cartoonist. He is also a member of the Metropolitan Opera Company in New York City.

Lorie Kellogg is a busy graphic and voice-over artist as well as a skilled improv comedian. She studied painting, printmaking, and video and film at the Kansas City Art Institute and the California Institute of the Arts.

Daws Butler was the master of voice. His was the voice behind most of the classic Hanna-Barbera characters: Yogi Bear, Huckleberry Hound, Quickdraw McGraw, Elroy Jetson, and a hundred others. He also originated the vocal character of Cap’n Crunch and other famous Jay Ward cartoon characters. His significant work with Stan Freberg in the 1950s on The Stan Freberg Show and multimillion-selling records such as “St. George and the Dragonet” are still held in reverence today. He also ran a voice acting workshop for many years. Among his many successful students are Nancy Cartwright, the voice of Bart Simpson, and Corey Burton, from Closet Cases of the Nerd Kind.

Pedro Pablo Sacristáwas born in Madrid and graduated with an MBA from a prestigious business school. His passion for education and writing led him to create Bedtime Stories, short stories that help teach kids values.

Emmanuel Adeleye was born in Nigeria in 1961. After graduating high school, he worked with the Nigerian Television Authority and with the Federation Radio Corporation of Nigeria as a playwright, actor, and artist. He then came to the United States, where he studied theater at Kean College in Union, New Jersey. In 1981 Adeleye teamed with Joe Bevilacqua to produce his first radio play ever presented in the United States. The Ology of Isms first aired on WKNJ Radio and later Sirius-XM Satellite Radio.

Jay Snyder is a voice actor, voice director, and script adapter who studied acting at the Julliard School in New York City. He is best known as the voice of Yugi Muto from the Japanese manga television series, Yu-Gi-Oh! His audiobook narrations have earned three AudioFile Earphones Awards, and he was a finalist for the Audie Award for Best Fiction Narration in 2015.

James Patrick Cronin began his audiobook career at twelve years of age opposite Christopher Lloyd in the book-on-tape of The Pagemaster. A classically trained stage actor with an MFA from the University of Louisville and a degree in philosophy, James has spent his years since college performing as an actor and a comedian on stages all over the world. He has performed everything from the classics to original material in Ireland, Scotland, Serbia, and Israel, as well as throughout the US. He has recorded over 100 audiobooks across an extensive range of genres.

Charlie Morrow is an American sound artist, composer, conceptualist, and performer whose work connects leading-edge ideas and technologies with archaic and shamanistic practices. His numerous and diverse creative projects have included chanting and healing works, museum and gallery installations, large-scale festival events, radio and television broadcasts, film soundtracks, commercial sound design, and advertising jingles.

Collage of audiobooks

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Reviews

“Great parodies of old-time radio icons, classic moments with legendary comedians, and wonderful voice acting, The Comedy-O-Rama Hour picks up where great radio comedy left off decades ago. Heck, it’s even produced in the Borscht Belt.”

“Are you a fan of old-time radio? Do you wish they were still making those wonderful programs so you wouldn’t have to keep listening to the same old episodes again and again? Do you poop out at parties? Do you wish I would stop asking so many questions? Well wish no more, o traveler of the airwaves. From Joe Bevilacqua and his Waterlogg Productions, the vita-veeta-vegemin of old-time radio, comes this echo from a bygone era.”

“For most artists working in radio theater, the projects tend to be group efforts, with actors, a producer and director, writers, engineers, and sound effects personal. But Joe Bevilacqua is producing a successful radio theater series almost single-handedly. The great part about radio theater is you can portray ‘any subject in any location in any circumstance, from another part of the world to the past to another dimension. You can create a whole world unto itself.’”

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