Author:
Justine van der Leun
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Sign up todayWe Are Not Such Things
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Learn moreJustine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class.
The story of Amy Biehl is well known in South Africa. The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the truth and reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then Van der Leun discovered another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but also a reflection of the complicated history of a troubled country.
We Are Not Such Things is the result of Van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance.
We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history.
Justine van der Leun, after graduating with a degree in journalism from New York University in 2003, spent three years working as an associate editor and writer at O, The Oprah Magazine, before becoming a full-time freelance writer and editor with a focus on narrative nonfiction. She is the author of the travel memoir Marcus of Umbria: What an Italian Dog Taught an American Girl about Love. She and her husband live in Ethiopia.
Erin Bennett is an Earphones Award–winning narrator and a stage actress who played Carlie Roberts in the BBC radio drama Torchwood: Submission. She can be heard on several video games. Regional theater appearances include the Intiman, Pasadena Playhouse, Arizona Theatre Company, A Noise Within, Laguna Playhouse, and the Getty Villa. She trained at Boston University and the London Academy of Music and Dramatic Art.
Audiobook details
Narrator:
Erin Bennett
ISBN:
9781504785075
Length:
19 hours 18 minutes
Language:
English
Publisher:
Blackstone Publishing
Publication date:
August 9, 2016
Edition:
Unabridged
Reviews
“Bennett’s intelligent delivery keeps the history lesson engaging and the crime as shocking as ever…Bennett’s extraordinary narration captures [the] revelations of oppression, racial inequality, and gender-based violence, taking listeners deep into the heart of a complex nation. Winner of the AudioFile Earphones Award.”
“This…is consummate in its reach and penetration.”
“Suspenseful and engrossing…Shows how a powerful desire for reconciliation can in fact obscure…the equity and justice that all people deserve.”
“A fascinating case study, a feat of investigative journalism…[and] a total page-turner, a gripping Serial-like true-crime story.”
“A Truman Capote–style detective story…Perform[s] that rare alchemy of transforming the particular into something more universal.”
“Timely…gripping, explosive…Obsessive forensic investigation.”
“A gripping narrative that examines the messiness of truth, the illusory nature of reconciliation, [and] the all too often false promise of justice.”
“A masterpiece of reported nonfiction.”
“A tour-de-force depiction…A complex, nuanced, and perhaps ultimately unknowable story that will captivate all readers.”
“An intimate, intricate depiction of embedded journalism.”
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