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Start giftingA Small Place
From the award-winning author of Annie John comes a brilliant look at colonialism and its effects in Antigua.
“If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the prime minister of Antigua. You may be the sort of tourist who would wonder why a prime minister would want an airport named after him—why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen …”
So begins Jamaica Kincaid’s expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up.
Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.
Jamaica Kincaid is the author of short stories, novels, and nonfiction, including See Now Then, which was a New York Times bestseller. She is the 2022 recipient of the Hadada Award, the Paris Review’s award for lifetime achievement. She is a member of the American Academy of Arts and Letters and has received a Guggenheim Fellowship, the Lannan Literary Award for Fiction, the Prix Femina Étranger, the Anisfield-Wolf Book Award, the Clifton Fadiman Medal, and the Dan David Prize for Literature. She is a professor of African and African American studies at Harvard and a visiting writer at UCLA in the spring of 2022. She was born in St. John’s and is a former reporter for the New Yorker magazine.
Robin Miles, named a Golden Voice by AudioFile magazine, has won several Audie and Earphones Awards. She holds a BA in theater studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.
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Reviews
“A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled.”
“Ms. Kincaid writes with…a poet’s understanding of how politics and history, private and public events, overlap and blur.”
“A rich and evocative prose that is also both urgent and poetic…Kincaid is a witness to what is happening in our West Indian back yards.”
“Wonderful reading…Tells more about the Caribbean in eighty pages than all the guidebooks.”
“In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work…Truth, wisdom, insight, outrage, and cutting wit.”
“Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker—and hollower—ones.”
Kincaid’s essay about her home island of Antigua is honest, sharp, and beautiful…It’s the best kind of place-based writing: complicated and many-layered. Kincaid articulates many truths—about racism and resort communities and the things that visitors often chose not to see about places they visit—in a short and very readable book.”
“This electrifying work is a new classic in the literature of hate—and of love, for a tortured land and for the possibility, albeit dim, of changing things.”
“Kincaid…asks us to grasp the crime of empire in a new way, stressing that it can be understood only from a post-colonial point of view.”
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