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The Picture of Dorian Gray
Dorian Gray, a handsome and narcissistic young man, lives thoughtlessly for his own pleasure—an attitude encouraged by the company he keeps. One day, after having his portrait painted, Dorian makes a frivolous Faustian wish: that he should always remain as young and beautiful as he is in that painting, while the portrait grows old in his stead.
The wish comes true, and Dorian soon finds that none of his wicked actions have visible consequences. Realizing that he will appear fresh and unspoiled no matter what kind of life he lives, Dorian becomes increasingly corrupt, unchecked by public opinion. Only the portrait grows degenerate and ugly, a powerful symbol of Dorian’s internal ruin.
Wilde’s dreamlike exploration of life without limits scandalized its late-Victorian audience and has haunted readers’ imaginations for more than a hundred years.
Oscar Wilde (1854-1900) was an Irish-born poet, dramatist, and novelist. His works include collections of fairy stories; the novel The Picture of Dorian Gray; and many brilliantly witty plays, including what is often considered to be his masterpiece, The Importance of Being Earnest.
Read by Simon Vance, Kate Reading, Marisa Calin, Ralph Lister, Antony Ferguson, Henrietta Meire, and Tim Bruce
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“The book seems more modern than one would imagine. Rather than merely a potboiler from two centuries back, Wilde’s genius imbues the story with a strange and haunting immediacy, and a cautionary tale for us all: Be careful what you wish for.”
“Wilde’s only novel, The Picture of Dorian Gray, seems—in an age devoted to youth—unsettlingly modern.”
“More than a century after its publication, Oscar Wilde’s novella The Picture of Dorian Gray is recognized as one of the classics of English literature, a masterpiece of fin-de-siècle aestheticism and in many respects a harbinger of the Modernist movement.”
“Simon Vance’s portrayal of each character is spot-on. His Lord Henry is casual, dismissive, and haughty. His Basil Hallward, the artist infatuated with Dorian, comes across as timid and pitiful but always endearing. Best of all, Vance’s Dorian Gray exudes youth and impetuousness at the beginning but quickly darkens once the character’s madness takes hold…Vance…finds the essence of each character, making Wilde’s work a delightfully creepy listen.”
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