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The Man of Property by John Galsworthy
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The Man of Property

$20.99

Retail price: $24.95

Discount: 15%

This title is not eligible for purchase with membership credits. Why?

Narrator Frederick Davidson

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Length 13 hours 48 minutes
Language English
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John Galsworthy’s epic Forsyte Saga follows the fortunes of the venerable Forsyte family, a moneyed clan whose passions are ever at war with its values. Galsworthy won the Nobel Prize in Literature in 1932 “for his distinguished art of narration, which takes its highest form in the Forsyte Saga.”

The Man of Property, the first novel in the trilogy, introduces us to Soames Forsyte, a solicitor and prominent figure in his family. Accustomed to getting whatever he wants, he sets his sights with absolute determination on the beautiful Irene, in spite of her pennilessness and her indifference to him. Irene, a lover of art and beauty, eventually accepts his marriage proposal over a life of degraded poverty, but she swears to Soames that she will never be his property. When all his money fails to make up for the absence of love and Irene falls for a young architect, Soames resolves to force the obedience he could not buy.

John Galsworthy (1867–1933), English novelist and playwright, went to Oxford to study law but turned to literature after he met Joseph Conrad on a voyage. The Man of Property (1906), the first of the Forsyte Chronicles, established his reputation. He was awarded the Nobel Prize for Literature in 1932.

Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.

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Reviews

“A social satire of epic proportions and one that does not suffer by comparison with Thackeray’s Vanity Fair…the whole comedy of manners, convincing both in its fidelity to life and as a work of art.”

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