The Word Exchange

Reviews

“Alena Graedon’s spectacular debut is a story for our age of  ‘accelerated obsolescence.’ A genuinely scary and funny mystery about linguistic slippage and disturbance, it’s also a moving meditation on our sometimes comic, sometimes desperate struggles to speak and to listen and to mean something to one another. To borrow Graedon’s own invention, The Word Exchange is ‘Synchronic’—a gorgeous genre mash-up that offers readers the pleasures of noir, science fiction, romance, and philosophy. It’s an unforgettable joyride across the thin ice of language.”

“[A] fast-paced, thrill-a-minute début novel…The sonic pleasures of Graedon’s degraded language are considerable…She creates a powerful sense of mystery…[I] raced greedily to the last page, enjoying Graedon’s plot-weaving every step of the way.”

“Clever, breathless, and sportively Hegelian in theme, The Word Exchange combines the jaunty energy of youngish adult fiction with the spine-tingling chill of the science fiction conspiracy genre…Graedon makes you wring your hands for her heroine—and tremble for the future of the English language throughout her twenty-six chapters, achieving the singular feat of turning the alphabet into a cliffhanger. As much fun as Graedon has with her Borgesian doomsday scenario, her novel folds serious meditations on language and society into its manhunt.”

“[Graedon] knows how to ratchet up mystery. In [her] dystopian future, face-to-face interfacing is finished and even email is a fading memory.”

“A sobering look at how dependent we are on technology and how susceptible we are to the distortions of language.”

“Alena Graedon makes what sounds like a preposterous premise believable in this clever first novel, a mystery set in a dystopian near future.”

“An ambitious debut…Graedon’s own language is essential to the success of The Word Exchange—it’s erudite, ruminative, and complex.”

“Graedon’s spectacular, ambitious debut explores a near-future America that’s shifted almost exclusively to smart technologies…Rife with literary allusions and philosophical wormholes that aren’t only decorative but integral to characters’ abilities and limitations in communicating, and it succeeds precisely because it’s as full of humanity as it is of mystery and intellectual prowess.”

“A remarkable first novel, combining a vividly imagined future with the fondly remembered past to offer a chilling prediction of where our unthinking reliance on technology is leading us.”

“Language becomes a virus in this terrifying vision of the print-empty, Web-reliant culture of the twenty-second century…A wildly ambitious, darkly intellectual and inventive thriller about the intersection of language, technology, and meaning.”

“Dig out your dictionary for this chilling story of a word virus, performed flawlessly by Tavia Gilbert and Paul Michael Garcia. In twenty-six chapters, Gilbert and Garcia alternately narrate a journal that tells the story of technology gone awry…This warning about dependence upon technology is performed without a hitch. Winner of AudioFile Earphones Award.”

“[A] clever first novel…Michael Garcia is the voice of Bart…Garcia gives the brainy etymologist just the right touch of mooniness. If a voice could convey a man with intelligent-looking spectacles, it would be Garcia’s.”

“Wow! This highly addictive future noir is also terrifyingly prescient. Set in a parallel New York filled with language viruses, pneumatic tubes, and heartbreak, Alena Graedon’s book is luminous and haunting at every turn. I will never look at words in quite the same way—and neither will you.”

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