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Sign up todayLegend in Green Velvet
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreScotland is Susan’s passion and obsession, and the opportunity to join a Highland dig is a dream come true for the young archaeology student. But then a sinister stranger slips Susan a cryptic message in ancient verse—and is later found viciously slain. A mysterious peril has unexpectedly emerged from the mists to haunt Susan, sending her running for her life in the company of handsome, unconventional laird Jamie Erskine. Caught up in international intrigue involving the trafficking of historical artifacts, Susan has an unseen enemy hiding in the shadows. That someone is going to great lengths to frame her for murder and to bury Susan, if necessary, in this land she loves.
Elizabeth Peters earned her Ph.D. in Egyptology from the University of Chicago’s famed Oriental Institute. During her fifty-year career, she wrote more than seventy novels and three nonfiction books on Egypt. She received numerous writing awards and, in 2012, was given the first Amelia Peabody Award, created in her honor. She died in 2013, leaving a partially completed manuscript of The Painted Queen.
Grace Conlin (1962–1997) was the recording name of Grainne Cassidy, an award-winning actress and acclaimed narrator. She was a member of the Woolly Mammoth Theatre Company in Washington, DC, and won a Helen Hayes Award in 1988 for her role in Woolly Mammoth’s production of Savage in Limbo.
Reviews
“Ms. Peters is truly great…this is a winner on all counts.”
“No one is better at juggling torches while dancing on a high wire than Elizabeth Peters.”
“An adroit mix of glamour and suspense.”
“Grace Conlin’s narration conveys the foreign atmosphere that surrounds the history and legend embodied in the story. Her voice captures each scene and character with appealing accents and emotions.”
“Grace Conlin’s facility for dialect enriches this pleasant mystery…Her rich, deep voice effortlessly imparts life to the variety of accents and ages, and her superlative narration even makes a couple of plot contrivances seem more plausible.”
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