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Sign up todayBoth Ways Is the Only Way I Want It
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Learn moreAward-winning writer Maile Meloy’s return to short stories explores complex lives in an austere landscape with the clear-sightedness that first endeared her to readers.
Eleven unforgettable new stories demonstrate the emotional power and the clean, assured style that have earned Meloy praise from critics and devotion from readers. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields—and fields of victory—that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly—and reluctantly—in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.
Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy’s singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.
Maile Meloy is the author of the novels Liars and Saints (which was shortlisted for the Orange Prize and chosen for the Richard and Judy book club) and A Family Daughter, the short-story collections Half in Love and Both Ways Is the Only Way I Want It, and the award-winning Apothecary trilogy for young readers. She has received the PEN/Malamud Award and a Guggenheim Fellowship, and was chosen as one of Granta's Best Young American Novelists. She lives in Los Angeles.
Kirsten Potter has won several awards, including more than a dozen AudioFile Earphones Awards and been a three-time finalist for the prestigious Audie Award for best narration. Her work has been recognized by the National Foundation for Advancement in the Arts and by AudioFile magazine, among many others. She graduated with highest honors from Boston University and has performed on stage and in film and television, including roles on Medium, Bones, and Judging Amy.
Bronson Pinchot, Audible’s Narrator of the Year for 2010, has won Publishers Weekly Listen-Up Awards, AudioFile Earphones Awards, Audible’s Book of the Year Award, and Audie Awards for several audiobooks, including Matterhorn, Wise Blood, Occupied City, and The Learners. A magna cum laude graduate of Yale, he is an Emmy- and People’s Choice-nominated veteran of movies, television, and Broadway and West End shows. His performance of Malvolio in Twelfth Night was named the highlight of the entire two-year Kennedy Center Shakespeare Festival by the Washington Post. He attended the acting programs at Shakespeare & Company and Circle-in-the-Square, logged in well over 200 episodes of television, starred or costarred in a bouquet of films, plays, musicals, and Shakespeare on Broadway and in London, and developed a passion for Greek revival architecture.
Reviews
“Though it might seem strange to praise a writer for the things she doesn’t do, what really sets Meloy apart is her restraint. She is impressively concise, disciplined in length and scope. And she’s balanced in her approach to character, neither blinded by love for her creations, nor abusive toward them…She’s such a talented and unpredictable writer that I’m officially joining her fan club; whatever she writes next, I’ll gladly read it.”
“In the best short stories—by Poe, Raymond Carver, Hemingway, Flannery O’Connor or Alice Munro—there is always malaise, if not outright heartache, on the horizon. In less able hands this convention turns lugubrious and contrived. But Meloy’s lean, targeted descriptions and her ultimately compassionate eye make this journey hurt so good.”
“After two well-received novels, Meloy returns to the short story, the form in which she made her notable debut and to which her lucid style is arrestingly well suited…Always true to her wide-ranging though consistently introspective characters, Meloy convincingly depicts the inchoate emotion that drives people, while also distilling meaning from it.”
“Maile Meloy’s Both Ways Is the Only Way I Want It reads like a Bruce Springsteen album sounds: raw with a tender wildness and loaded with adolescent ache. The nuanced depictions of small-town life in some of these stories make for a rich tableau of lovelorn cowboys, provincial lawyers, and renegade women. Don’t miss this sleeper hit of 2009.”
“If life is all about choices, as the saying goes, then what happens when we simply can’t make up our minds about what’s most important? In her second volume of short stories, Both Ways Is the Only Way I Want It, acclaimed novelist Maile Meloy…cracks at our nagging desire to have it all in eleven tightly written, remarkably fluid narratives, most of which unfold in sleepy towns across Meloy’s native Montana.”
“Readers drawn to the short story are sometimes disappointed upon reading a collection by a single author, even one they favor. The collection might seem padded, or the voice that struck us as original and engaging becomes boringly familiar halfway through. No such hazard awaits the readers of this new collection. The award-winning Meloy continues to deliver stories that please and surprise as each narrative’s small world unfolds…Verdict: Readers who have waited impatiently for Meloy’s return to this genre, perhaps the one in which Meloy herself seems most at home, have a treat in store.”
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