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Learn moreLew Griffin is a survivor, a Black man in New Orleans, a detective, a teacher, a writer. Having spent years finding others, he has lost his son—and himself in the process.
Now, a derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and displaying a copy of one of Lew’s novels. It is the beginning of a quest that will take Griffin into his own past while he tries to deal in the present with a search for three missing young men.
Somewhere in the underbelly of the Crescent City there are answers and more questions, there are threats and the promise of salvation, and there is a dangerous descent into the alcoholic haze that marked Griffin’s younger days, as well as the possibility of rising from it redeemed.
James Sallis has published seventeen novels; three books of musicology; multiple collections of short stories, poems, and essays; and translations of both prose and poetry. He’s a recipient of the Hammett Prize for literary excellence in crime fiction, the Grand Prix de Littérature Policière, the Deutscher Krimi Preis, and the Brigada 21 in Spain, as well as a Lifetime Achievement Award from Bouchercon. Sallis is best known for his novel Drive, which was made into what’s become an iconic film.
G. Valmont Thomas, a longtime member of the acting company at the Oregon Shakespeare Festival, has also been a faculty member at the Johnny Carson School of Film and Television at the University of Nebraska–Lincoln. His voice may also be heard in a number of video games and in advertisements for radio and television.
Reviews
“The fourth book in the Lew Griffin series proves once again that Sallis is one of the least conventional and most interesting writers working in the mystery genre. Readers who prefer plots that move straight ahead and fast may resist the spell of his talent, but those willing to untangle a twisted time line and go with the peculiar flow of Sallis’ unique prose will find many rewards…[and] an ending that manages to be dazzling, poignant and totally satisfying.”
“G. Valmont Thomas can make you laugh out loud over characters like Zeke, the ex-con who comes to stay, or make you grip the edge of your seat—as when Lew does the unthinkable and returns, after years of sobriety, to the life of a street drunk, hoping it will lead him to his son. Thomas’ range is enormous, his expert performance as colorful and varied as New Orleans itself.”
“The author’s quiet skill shines forth in the vibrant surroundings, literate prose, and skillful and diverse characterizations. Highly recommended.”
“An anthology of great scenes, great images, and great dialogue.”
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