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Thérèse Raquin by Émile Zola
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Thérèse Raquin

$12.56

Retail price: $13.95

Discount: 9%

This title is not eligible for purchase with membership credits. Why?

Narrator Traci Svendsgaard

This audiobook uses AI narration.

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Translator Ernest Alfred Vizetelly
Length 6 hours 41 minutes
Language English
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In a dingy apartment on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband’s earthy friend, Laurent. But their passion for each other soon compels the lovers to commit a crime that will haunt them forever.

Thérèse Raquin caused a scandal when it appeared in 1867 and brought its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola’s novel is not only an uninhibited portrayal of adultery, madness, and ghostly revenge but also a devastating exploration of the darkest aspects of human existence.

Émile Zola (1840–1902), French writer and critic, was raised in a poor family at Aix-en-Provence and at age eighteen went to Paris where he worked as a clerk and a journalist before turning to writing novels. For many years he used his fiction in the service of his passion for social reform. He published many masterworks but is perhaps most famous for his series of novels called Les Rougon-Macquart, one of the chief monuments of the French naturalist movement.

Traci Svendsgaard is a veteran of a twenty-five year voice-over career. In addition, she and her husband, Lars, host The Retro Lounge on Jefferson Public Radio. They live a simple life in Southern Oregon.

Ernest Alfred Vizetelly (1853–1922) was an Englist journalist and author.

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Reviews

“Zola’s blunt, unprettified representation of the most sordid elements of life—infidelity, murder, madness and suicide—seemed revolutionary in the context of his time. Especially remarkable was Zola’s gritty portrayal of his eponymous central character Thérèse, a brilliantly radical departure from the simpering female prototypes of Victorian convention.”

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