No one skewers the popular movements of American culture like Tom Wolfe. In 1975, he turned his satirical pen to the pretensions of the contemporary art world-a world of social climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. From the fuliginous flatness of the fifties to the pop op minimal sixties, right on through the now-you-see-it-now-you-don't seventies, Tom Wolfe debunks the great American myth of modern art in an incandescent, hilarious, and devastating blast.
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