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Shop nowThe Tempest - Abridged
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Learn moreIn The Tempest, long considered one of Shakespeare’s most lyrical plays, Prospero, a sorcerer, and his daughter, Miranda, have been stranded on an enchanted island for twelve years. When a shipwreck—caused by the eponymous tempest—brings enemies to the island, the stage is set for comedy, romance, and reconciliation. The Tempest embodies both seemingly timeless romance and the historically specific moment in which Europe began to explore and conquer the New World. Its poetic beauty, complexity of thought, range of characters—from the spirit Ariel and the monster Caliban to the beautiful Miranda and her prince Ferdinand—and exploration of difficult questions that still haunt us today make this play wonderfully compelling.
WILLIAM SHAKESPEARE was born in 1564, the son of a glove-maker from Stratford-upon-Avon, and spent much of his adult life in London. He is widely regarded as the greatest writer in the English language. Shakespeare's poetry first appeared in 1593, dedicated to his patron Henry Wriothesley, the 3rd Earl of Southampton. It is unknown when he wrote each sonnet, but the collection was first published in 1609. He died in 1616, aged 52.
JAMES ANTHONY was born in 1970, the son of an engineer from Peterborough, and has spent much of his adult life in London. James cut his teeth building cars for the Ford Motor Company in Dagenham, and Shakespeare's Sonnets, Retold is his first published work of poetry. He has no aristocratic patron, but, for the time being, remains very much alive. He lives in New York City with his beloved wife, Versha.
John Glover, most famous for his roles as villainous characters on television and in films, has performed many times on stage, winning a Tony Award for his role in Love! Valour! Compassion! He also appeared in the film version.
Reviews
“Part of The Tempest’s permanent facination for so many playgoers and readers, in a myriad of national cultures, is its juxtaposition of a vengeful magus who turns to forgiveness.”
“The play is full of extraordinary anomalies and fantastic interludes…The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play…Critics and historians have debated the extent to which the play endorses or criticizes early English colonial expansion.”
Prospero’s use of magic in The Tempest is a source of apparently endless critical speculation. It has been defined as benign and redemptive, its violence excused or legitimated. At the opposite end of the critical spectrum it has been defined as witchcraft and read as a metaphor for colonial oppression…By whatever means The Tempest is approached, magic is the defining factor in the relationship between Prospero and Caliban.”
“Shakespeare’s blend of romance, comedy and political intrigue and his echoings of Virgil and Ovid can make this, like his other late work, feel at once classical and incipiently postmodern.”
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