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This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreScreen is Barry N. Malzberg's daring and controversial debut novel about a man who can only obtain sexual satisfaction by projecting himself into fantasies evoked by the cinema.
In the tradition of Vladimir Nabokov, Malzberg draws his readers over the precipice of rationality into a realm where dreams are real—a realm in which the hero, a humble investigator for the New York City Welfare Department, finds himself married to Sophia Loren, seducing Elizabeth Taylor, and seduced by Brigitte Bardot—all in one tortured weekend.
Barry N. Malzberg is a writer and editor of numerous science fiction anthologies and magazines. The author of more than 50 books and more than 250 short stories, he won the first John W. Campbell Memorial Award for the Year’s Best Science Fiction, has won two Locus Awards for essay collections, and has been a finalist for Hugo and Nebula awards.
Stefan Rudnicki is an award winning audiobook narrator, director and producer. He was born in Poland and now resides in Studio City, California. He has narrated more than three hundred audiobooks and has participated in over a thousand as a writer, producer, or director. He is a recipient of multiple Audie Awards and AudioFile Earphones Awards as well as a Grammy Award, a Bram Stoker Award, and a Ray Bradbury Award. He received AudioFile’s award for 2008 Best Voice in Science Fiction and Fantasy. Along with a cast of other narrators, Rudnicki has read a number of Orson Scott Card's best-selling science fiction novels. He worked extensively with many other science fiction authors, including David Weber and Ben Bova. In reviewing the twentieth anniversary edition audiobook of Card’s Ender's Game, Publishers Weekly stated, "Rudnicki, with his lulling, sonorous voice, does a fine job articulating Ender's inner struggle between the kind, peaceful boy he wants to be and the savage, violent actions he is frequently forced to take." Rudnicki is also a stage actor and director.
Reviews
“Malzberg’s books, in their tortured self-awareness, are primarily about writing: its technical difficulties and moral pitfalls, its potential to cheapen or calcify, its temptation to fraudulence or ventriloquism, the insisted-on inadequacy of language as an excuse for not being a less recursive or less involuted writer, and so on.”
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