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Start giftingDeathride
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Learn moreJohn Mosier presents a revisionist retelling of the war on the Eastern Front. Although the Eastern Front was the biggest and most important theater in World War II, it is not well known in the United States, as no American troops participated in the fighting. Yet historians agree that this is where the decisive battles of the war were fought. The conventional wisdom about the Eastern Front is that Hitler was mad to think he could defeat the USSR because of its vast size and population, and that the Battle of Stalingrad marked the turning point of the war. Neither statement is accurate, says Mosier; Hitler came very close to winning outright.
Mosier's history of the Eastern Front will generate considerable controversy both because of his unconventional arguments and because he criticizes historians who have accepted Soviet facts and interpretations. Mosier argues that Soviet accounts are utterly untrustworthy and that accounts relying on them are fantasies. Deathride argues that the war in the East was Hitler's to lose, that Stalin was in grave jeopardy from the outset of the war, and that it was the Allied victories in North Africa and consequent threat to Italy that forced Hitler to change his plans and saved Stalin from near-certain defeat. Stalin's only real triumph was in creating a legend of victory.
John Mosier is a professor of English at Loyola University in New Orleans. He is the author of four books of military history: The Myth of the Great War, The Blitzkrieg Myth, The Generalship of U. S. Grant, and Cross of Iron. He has appeared on the BBC, Fox News, the History Channel, Sky News, and Comcast. An active film critic, he has written over one hundred articles on film for Kino, Americas, Variety, and the New Orleans Arts Review. He lives in Jefferson, Louisiana.
Michael Prichard has played several thousand characters during his career. While he has been seen performing over one hundred of them in theater and film, Michael is primarily heard, having recorded well over five hundred full-length books. During his career as a one-man repertory company, he has recorded many series with running characters-including the complete Travis McGee adventures by John D. MacDonald and the complete Nero Wolfe mysteries by Rex Stout-as well as series by such masters as Mark Twain, John Cheever, and John Updike. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and several AudioFile Earphones Awards, including for At All Costs by Sam Moses and In Nixon's Web by L. Patrick Gray III. Named a Top Ten Golden Voice by SmartMoney magazine, he holds an M.F.A. in theater from the University of Southern California. Michael appears regularly on the professional stage, including as a member of Ray Bradbury's Pandemonium Theatre Company, performing such great roles as Captain Beatty in Fahrenheit 451, which became the second-longest-running production in the Los Angeles area. Bradbury himself dubbed Michael "the finest Beatty in history."