"Andy Davidson is quickly establishing himself as the newest master of southern gothic horror. The Hollow Kind seeps into your subconscious and waits for you in your nightmares."
—S. A. Cosby, bestselling author of Razorblade Tears
"A visceral story that weaves past and present together, The Hollow Kind is a well-crafted tale about secrets that refuse to stay hidden, the weight of past sins, and redemption. With atmospheric imagery, compelling characters, and a gripping premise, Davidson proves why horror is one of the most effective genres for exploring interpersonal conflict and the complicated nature of familial relationships."
"Andy Davidson’s imagination is deep, dark, and visceral."
—BN Editors, Best Horror Books of 2022
"With his third novel, Davidson plants his roots in horror’s soil as one its most talented voices . . . The Hollow Kind is a Southern Gothic epic that masterfully weaves elements of body, folk, and cosmic horror, knitting it all together into something wholly new, immersive, terrifying, and utterly breathtaking."
–Becky Spratford, Booklist
“Greed, trespass, revenge, and obsession provide the emotional palette for this breathless, wide-eyed horror fable that chronicles the unforgivable trespasses that cost multiple generations their souls.”
"Whether you call it historical horror, folk horror, or southern gothic, Andy Davidson's The Hollow Kind is as beautifully written as it is chilling. The combination of dual timelines with a little-explored piece of America's past truly sets this book apart. Every page reverberates with inescapable dread."
—Alma Katsu, author of The Fervor
“A deep, dark story of family secrets and inherited horrors, Andy Davidson’s The Hollow Kind is as gripping and twisted as old tree roots—you can practically smell the creosote and longleaf pine. This one kept me up, turning pages long into the night.”
—T. Kingfisher, author of What Moves the Dead
“The Hollow Kind is a gloriously wild, twisted family saga with buckets of body horror and is going to mess you up good.”
—Paul Tremblay, author of The Pallbearers Club, on Twitter
Praise for Andy Davidson's The Boatman's Daughter
“A gorgeously written novel that mixes Southern Gothic à la Flannery O’Connor, backwoods noir, and the mythic imagination of Clive Barker . . . [A] lush nightmare [that] put an arrow through my head and heart.”
—Paul Tremblay, author of Growing Things
"Andy Davidson probably wrote The Boatman's Daughter sitting at a table at home or at a coffee joint. But it reads as if he pulled it out of the wet earth of the Arkansas bayous with his bare hands on a moonless night while chanting an incantation he learned from a dying witch."
—Gabino Iglesias, NPR
"Combines the visceral violence of Cormac McCarthy with his own wholly original craftsmanship, weaving rich, folkloric magic with the best elements of a gritty Southern thriller. The book's lightning-fast pace doesn't come at the expense of fully realized, flawed, and achingly human characters."
—Kirkus Reviews (starred review)
"An inverted fairytale . . . [Andy Davidson is] an extremely talented writer who goes beyond the boundaries of genres to deliver a gripping tale."
“Wild and wonderful—a sentence-by-sentence delight.”
—Michael Koryta, author of How It Happened
"This horror novel can claim its rightful place alongside new Southern Gothics like Jesmyn Ward's Sing, Unburied, Sing (2017), Daniel Woodrell's Winter’s Bone (2006), and Wiley Cash's A Land More Kind Than Home (2012)."
—Becky Spratford, Booklist
"The Boatman's Daughter is a greasy, magical Southern Gothic fable. Davidson pens a vivid backdrop for his colorful characters to come alive and draw the reader into an eerie supernatural thriller."
—Sadie Hartman, Mother Horror