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Sign up todayThe Last House on Needless Street
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Learn moreBookseller recommendation
“The human mind is mysterious and incredible, and the ways we deal with grief and trauma are on terrifying display in this book. The lonely house, lonely people, and lonely woods will stay in my mind for a long time. Some moments were so scary I thought I would scream. The vulnerability and likability of Ragland’s voice really creates sympathy for the flawed characters and made me want to face the terror so that I could find out what happened to them. ”
— Colleen • Read Between The Lynes
Bookseller recommendation
“It starts with a missing popsicle girl, a murderer, and a sister on the hunt for the truth. The multiple narratives of The Last House on Needless Street create a web of half truths whose threads slowly drift apart to reveal the horrors they have propped themselves upon. The rot beneath the fragile beauty. You experience a personal and intimate interaction with a mental disorder and the brittle strength of our minds when confronted with the cruel and ugly truth of what can happen in this life. We can shatter apart and remain stuck or we can move forward. Catriona has written a story that takes you through corridors of pain, abuse, denial, guilt, and confusion that ends on a beautifully quiet note of hope and peace. Once you enter the last house on Needless Street your mind will stay within its walls even after the last page.”
— Constance • Mysterious Galaxy Books
Bookseller recommendation
“This book was creepy! Ward weaves an intriguing and disturbing tale that at every page has you internally screaming for more (and also mouthing WTF IS HAPPENING). It's weird but clever and the wrap up is unexpected in the traditional horror/thriller world (though some may begin to suspect early on). In audiobook format, this tale lends itself to a terrifying, breath-holding experience as the narrator Christopher Ragland and author Caitriona Ward leave a trail that you can't help but follow though you know there can't be rainbows and puppies at the end.”
— Kimi • Buttonwood Books and Toys
Bookseller recommendation
“The Last House on Needless Street by Catriona Ward is my favorite horror story of the year. It is a trauma story inside of a horror story. If you like psychopaths and lesbian bible reading cats, then stop reading this blurb and buy the book! This book has so many disturbing twists and turns that I could barely keep up. Avoid reading the afterword before you finish the book, as it contains spoilers. Trust me, you want to discover each horrifying secret for yourself. ”
— Suzanne • Underground Books
Bookseller recommendation
“This one lives up to the hype. Although there are numerous points where the story is revealed to be something quite different from what it appeared, you won't remember it just because the plot twists left your head spinning, but rather because of the fascinating, exquisitely-voiced narrators (including, yes, the gay Christian housecat) and haunting atmosphere. The audiobook is excellent -- Ragland invents a convincing and unique voice for each character, and when the emotions of the story run raw, his voice carries that intensity. If you are looking for a straightforward horror story, you might be disappointed, but if you're looking for something strange, beautiful, and unexpected you'll enjoy your time in this house.”
— Graham • Next Chapter Booksellers
"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." - Stephen King
"Christopher Ragland delivers a story featuring three unreliable narrators, all keeping secrets . . . Ragland's story is a discomforting listen that is difficult to pause." - AudioFile Magazine, Earphones Award winning review
A World Fantasy Award and August Derleth Award Finalist!
An Indie Next Pick! A LibraryReads Top 10 Pick!
A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly!
Named one of the "50 Best Horror Books of All Time" by Esquire!
"Brilliant....[a] deeply frightening deconstruction of the illusion of the self." —The New York Times
Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House.
In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three.
A teenage girl who isn’t allowed outside, not after last time.
A man who drinks alone in front of his TV, trying to ignore the gaps in his memory.
And a house cat who loves napping and reading the Bible.
An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.
“The new face of literary dark fiction.” —Sarah Pinborough
A Macmillan Audio production from Tor Nightfire
CATRIONA WARD was born in Washington, DC, and grew up in the United States, Kenya, Madagascar, Yemen, and Morocco. She studied English at the University of Oxford and later earned her master’s degree in creative writing at the University of East Anglia. Ward is a three-time winner of the August Derleth Award for Best Horror Novel: for The Girl from Rawblood, her debut; Little Eve; and The Last House on Needless Street. Little Eve also won the Shirley Jackson Award for Best Novel. Ward is the international bestselling author of The Last House on Needless Street and Sundial.
Reviews
An Indie Next Pick!
A LibraryReads Top 10 Pick!
A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly!
One of Bustle's "Most Anticipated Books of September"
“The buzz building around Catriona Ward's The Last House on Needless Street is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end. Haven't read anything this exciting since Gone Girl.” —Stephen King
“Sensational….I can’t recall another novel in recent years that dares so much and succeeds so wildly.” —A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
“A chilling and beautiful masterpiece of suspense, cunningly plotted and written with the elegant imagination of a Shirley Jackson or a Sarah Waters. I was completely enthralled.” —Joe Hill, New York Times bestselling author of The Fireman
"A breathtakingly ambitious book, gorgeously written, and never once shies away from showing you its fangs and its beautiful blood-filled heart. Stop reading this blurb already and open the damn book." —Paul Tremblay, author of A Head Full of Ghosts
"A masterpiece. Beautiful, heartbreaking and quietly uplifting. One of the most powerful and well-executed novels I've read in years." —Alex North, author of The Whisper Man
“Absolutely brilliant. This is extraordinary, high-wire-act horror, audacious as hell.” —Christopher Golden, New York Times bestselling author of Red Hands
“This masterful horror novel packs an emotional wallop that lingers.” —Publishers Weekly, starred review
"Dark and creepy, sad and wonderfully strange. It kept me glued and guessing right up to the end—I loved every inch of it." —Mike Mignola, creator of Hellboy
"Brilliant. Breathtaking. Terrifying. A masterpiece to read at your own peril." —Alma Katsu, author of The Hunger
"A risky, gleeful descent into a house without windows or doors. It's a must-read for horror fans." —Sarah Langan, Bram Stoker Award-winning author of Good Neighbors
"A stunning and immersive tale of psychological horror. It’s terrifyingly real and physically upsetting, yet, like the best of the genre, it leaves space for hope to ultimately shine through." —Library Journal (starred review)
“This book was like an onion. Layer after layer after layer and then you're crying and somebody's got a knife. A brutal, twisty, puzzle box of a book. I stayed up way past my bedtime.” —T. Kingfisher, author of The Hollow Places
"Ward ably handles the series of nested revelations of the truth about the house's inhabitants and how they connect to Ted's own childhood, all the while maintaining a propulsive, suspenseful tone. Recommended for anyone interested in horror with well-realized characters and a claustrophobic, intense setting." —Booklist
“What did I just read?! One perfect sentence after the other ... this is a story I wish I knew how to write—and I'm thrilled that Ward pulled off this trick of a book.” —Rachel Howzell Hall, author of And Now She's Gone
“THIS IS THE BEST HORROR NOVEL I HAVE EVER READ. Even Shirley Jackson, her Majesty, would have to concede to this one.” —Natasha Pulley, author of The Watchmaker of Filigree Street
“Books like this don't come around too often... I would say I inhaled this in one, but I think I was too busy holding my breath throughout. Bravo.” —Joanne Harris, New York Times bestselling author of The Gospel of Loki
"The new face of literary dark fiction." —Sarah Pinborough, New York Times bestselling author of Behind Her Eyes
“Full of twists and turns, this high-concept gothic horror is going to be huge.” —Guardian
“You don’t read The Last House on Needless Street—you survive it. This isn’t just a thriller; it’s a sleek, diabolical, stress-inducing machine.” —Jonathan Janz, author of The Siren and the Specter
“Incredible. Absolutely creep-inducing, skin-crawling, even agonising; and also so beautiful, both in writing and heart. One of my favourite things in ages.” —James Smythe, author of The Explorer
“Incredible. Just incredible. Throughout, I didn't know where to put my heart. A breathtaking, fiercely beautiful novel.” —Rio Youers, author of Lola on Fire
“Breathtakingly brilliant. Dark and relentlessly twisty, the best thing I've read this year.” —Lisa Hall, author of The Party
“Not only edge of the seat, terrifying suspenseful horror, but it also broke my heart into tiny pieces. Such exquisite writing.” —Muriel Gray, author of The Ancient