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Sign up todayThe Lady and the Unicorn
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Learn moreA tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look.
In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.
Tracy Chevalier grew up in Washington, DC. She received her BA in English literature from Oberlin College before moving to London in 1984. She later attended the University of East Anglia in Norwich, where she received her MA in creative writing. Her works include The Virgin Blue, The Girl With a Pearl Earring, and Remarkable Creatures.
Reviews
"Tracy Chevalier has invented another juicy backstory to a great work of art…a lively, sexy, and thoroughly entertaining novel." —Entertainment Weekly"Subtly rendered, surprisingly complex characters…a novel notable for its human warmth." —The New York Times Book Review
"Tracy Chevalier has spun a story as richly detailed as the medieval tapestries on which it’s based…a fascinating novel." —Milwaukee Journal Sentinel
"Tracy Chevalier's approach to fiction is so methodical that she threatens to turn writing about art into science." —The New York Times
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