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For the Relief of Unbearable Urges (Short Story) by Nathan Englander
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For the Relief of Unbearable Urges (Short Story)

excerpted from the full collection, "For the Relief of Unbearable Urges"

$1.99

Narrator Arthur Morey

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Length 32 minutes
Language English
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Already sold in eight countries around the world, these nine energized, irreverent stories from Nathan Englander introduce an astonishing new talent.    

In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command,
and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute.              

The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.

For the Relief of Unbearable Urges is a work of stunning authority and imagination--a book that is
as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new
storyteller.

NATHAN ENGLANDER is the author of the novels Dinner at the Center of the Earth and The Ministry of Special Cases, and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank—winner of the Frank O'Connor International Short Story Award and finalist for the Pulitzer Prize. His short fiction has been widely anthologized, most recently in 100 Years of the Best American Short Stories. Englander's play, The Twenty-Seventh Man, premiered at The Public Theater in 2012. He translated the New American Haggadah and co-translated Etgar Keret's Suddenly a Knock on the Door. He is Distinguished Writer-in-Residence at New York University, and lives in Brooklyn, New York, with his wife and daughter.

Arthur Morey has acted in a number of productions, both Off-Broadway in New York and Off-Loop in Chicago. He’s won several Earphones Awards and has been repeatedly listed by AudioFile Magazine as a Best Voice over the years.

NATHAN ENGLANDER is the author of the novels Dinner at the Center of the Earth and The Ministry of Special Cases, and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank—winner of the Frank O'Connor International Short Story Award and finalist for the Pulitzer Prize. His short fiction has been widely anthologized, most recently in 100 Years of the Best American Short Stories. Englander's play, The Twenty-Seventh Man, premiered at The Public Theater in 2012. He translated the New American Haggadah and co-translated Etgar Keret's Suddenly a Knock on the Door. He is Distinguished Writer-in-Residence at New York University, and lives in Brooklyn, New York, with his wife and daughter.

Arthur Morey has acted in a number of productions, both Off-Broadway in New York and Off-Loop in Chicago. He’s won several Earphones Awards and has been repeatedly listed by AudioFile Magazine as a Best Voice over the years.

Illustration of person sitting

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Reviews

"Englander's voice is distinctly his own--daring, funny and exuberant." --Michiko Kakutani, The New York Times"Taut, edgy, sharply observed. . . . A revelation of the human condition." --The New York Times Book Review"Remarkable art. . . .The author fills each of these pieces with vivid life, with characters that jump off the page." --Newsday"Every so often there's a new voice that entirely revitalizes the story. . . . It's happening again with Nathan Englander, whose precise, funny, heartbreaking, well-controlled but never contrived stories open a window on a fascinating landscape we might never have known was there. It's the best story collection I've read in ages." --Ann Beattie"His characters are marvelously sympathetic creations. . . . What is most striking about the collection is not the subject matter but Englander's genius for telling a tale. . . . Invite[s] comparison to some of the best storytellers--Gogol, Singer, Kafka and even John Cheever." --Time Out New York Expand reviews
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