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Sign up todayThe Orchid Thief
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Learn moreBookseller recommendation
“I can’t believe I haven’t read The Orchid Thief before now - this is the quintessential Florida book by one of my very favorite non-fiction writers! It’s all here: the history, the geology, the botany, the zoology, the sociology. Orlean is masterful in her ability to capture the essence of a place or a person in vivid and accessible prose. Her eye is keen and her observations are leavened with humor. A must for visitors and especially new-comers to the Sunshine State. ”
— Nora • Bookstore1Sarasota
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK
In Susan Orlean's mesmerizing true story of beauty and obsession is John Laroche, a renegade plant dealer and sharply handsome guy, in spite of the fact that he is missing his front teeth and has the posture of al dente spaghetti. In 1994, Laroche and three Seminole Indians were arrested with rare orchids they had stolen from a wild swamp in south Florida that is filled with some of the world's most extraordinary plants and trees. Laroche had planned to clone the orchids and then sell them for a small fortune to impassioned collectors. After he was caught in the act, Laroche set off one of the oddest legal controversies in recent memory, which brought together environmentalists, Native Amer-ican activists, and devoted orchid collectors. The result is a tale that is strange, compelling, and hilarious.
New Yorker writer Susan Orlean followed Laroche through swamps and into the eccentric world of Florida's orchid collectors, a subculture of aristocrats, fanatics, and smugglers whose obsession with plants is all-consuming. Along the way, Orlean learned the history of orchid collecting, discovered an odd pattern of plant crimes in Florida, and spent time with Laroche's partners, a tribe of Seminole Indians who are still at war with the United States.
There is something fascinating or funny or truly bizarre on every page of The Orchid Thief: the story of how the head of a famous Seminole chief came to be displayed in the front window of a local pharmacy; or how seven hundred iguanas were smuggled into Florida; or the case of the only known extraterrestrial plant crime. Ultimately, however, Susan Orlean's book is about passion itself, and the amazing lengths to which people will go to gratify it. That passion is captured with singular vision in The Orchid Thief, a once-in-a-lifetime story by one of our most original journalists.
Praise for The Orchid Thief
“Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review
“Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times
“Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World
“Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe
“A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
Susan Orlean has been a staff writer for The New Yorker since 1992 and has also written for Outside, Esquire, Rolling Stone, and Vogue. She graduated from the University of Michigan and was a Nieman Fellow at Harvard University. She now lives in Los Angeles and upstate New York with her husband and son.
Reviews
“Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review“Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times
“Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World
“Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe
“A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal Expand reviews