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'You want to buy my death for a million pounds!' Piccadilly Circus tube station is an unlikely location for a pact with the Devil, but this is where Jonathan Fitch first meets Mr Rinyo-Clacton. Devastated after his girlfriend Serafina has left him, Jonathan agrees that this mysterious stranger will pay him a million pounds for a year, if he agrees to die at the end of it. What could possibly go wrong?
'A poignant and engaging fable of ownership and surrender' Philip Hensher, Mail on Sunday
'Nothing is accidental or optional in this jewelled clockwork egg of a book ... Hoban is a hugely skilled, moving and endlessly entertaining writer' The Times Literary Supplement
'Russell Hoban's imagination knows no bounds ... darkly funny and profound' The Times
ยฉ Russell Hoban 2021 (P) Penguin Audio 2021
On his death in 2011, The Times described Russell Hoban as 'perhaps the most consistently strange writer of the late 20th century'. He thought and wrote in an extraordinary range of genres, becoming first a bestselling writer of children's books, particularly the immortal Frances stories and his first novel, The Mouse and His Child (1968). After its publication he continued to write for children (most notably perhaps the Captain Najork books with Quentin Blake and The Marzipan Pig), but focussed most of his energies on a sequence of wonderful novels, which began with The Lion of Boaz-Jachin and Jachin-Boaz (1973) and ended with Angelica Lost and Found (2010). He also wrote the libretto for Harrison Birtwistle's opera The Second Mrs Kong (1994).
His novels were wildly various, but share his obsession with objects, animals, specific works of art and pieces of music, his love of words and sense of humour. Penguin Modern Classics publishes his first eight novels: The Lion of Boaz-Jachin and Jachin-Boaz, Kleinzeit, Turtle Diary, Riddley Walker, Pilgermann, The Medusa Frequency, Fremder and Mr Rinyo-Clacton's Offer.
Reviews
Nothing is accidental or optional in this jewelled clockwork egg of a book... Hoban is a hugely skilled, moving and endlessly entertaining writer.
A poignant and engaging fable of ownership and surrender. He mixes wild invention with subtle observation... the resulting tale reads like a downbeat, offbeat Faust for the tawdry, lottery-playing 1990s. Worth rejoicing in ... a banquet of whimsical delights. Each Russell Hoban book is surprising ... but you also know what you're getting, which is curiosity, wonder and a world-encompassing empathy. Expand reviews